billboard BREAKDOWN - hot 100 - october 26, 2019 (VIDEO)

Well, this was... actually pretty enjoyable to assemble, not a bad week and I expecting WAY worse.

Next up, clipping - stay tuned!

billboard BREAKDOWN - hot 100 - october 26, 2019

You know, it's probably good that I didn't predict this, it would have made the past week all the more dispiriting going into the last sort of album bomb I'd want to cover. And yet since he's barely on my radar, I'm not even sure I could have probably predicted the baffling success of a Youngboy Never Broke Again album release, and at this point I should really stop being surprised. And yet since he's one song short of my qualifications of an album bomb... yeah, talking about all of it, folks, strap in.

billboard BREAKDOWN - hot 100 - june 2, 2018 (VIDEO)

Oh man, this was a messy damn week.. but eh, I'll take it...

Anyway, now for something better - stay tuned!

billboard BREAKDOWN - hot 100 - june 2, 2018

This was a weird week. A pretty busy one, to be sure, and some things did turn out as I had predicted, but overall... it's not often you can say that our new arrivals span between k-pop, Lil Baby, Kevin Gates, and the Backstreet Boys - yeah, we'll be getting to that one, I did not see that coming at all! And that's very telling of the Hot 100 right now: there doesn't seem to be any one musical movement that's driving the pop culture conversation with any sustainability, and we're ripe to see everything blow apart.

the top ten worst hit songs of 2017 (VIDEO)

It's here, it's already controversial, and apparently the damn video malfunctioned because after rendering the damn thing three times I can't catch a break. Ah well, best hits of 2017 is coming in a day or two, stay tuned!

the top ten worst hit songs of 2017

There have been years where writing this list is easy. Sometimes it's like 2015 or 2012, where the bad songs can't diminish otherwise diminish a strong or interesting year - or on the flip side we get years like 2016, where the avalanche of awful is so pronounced I almost have too much material, and while that list might be painful to revisit, sheer rage makes it all surge out.

2017 has not been that year, and it's a little tough to explain why. You could make a comparison to 2014 in how so much of this year defaulted towards average instead of a more pronounced brand of awful - I'm certainly not as angry towards this list as I've been in previous years - but the truly excellent hits were much stronger in 2017. What I think has befuddled some critics is how pop was effectively overtaken by the hip-hop and R&B aesthetic on the Hot 100 - it might have become more pronounced in 2013 but in 2017 the takeover was complete, and if you weren't paying more attention to streaming instead of radio, you were going to be left behind. And thus in 2017 the truly bad songs are a bit of a mix of the pop songs tumbling towards the monogenre and the lazy, bargain-barrel dumpster fire that is the dregs of trap. And again, to establish the rules the songs had to debut on the year-end Hot 100 list for 2017, and purely boring doesn't just cut it for me. Given how much of this I've covered on Billboard BREAKDOWN, I've long been numbed to the endless swirl of interchangeable trap bangers and their brand of disposable mediocrity. If you want to land on this list, you need to really irritate me or piss me off, so let's get going with some Dishonourable Mentions!

billboard BREAKDOWN - hot 100 - february 18, 2017 (VIDEO)

Well, this was an absolutely miserable week to get through... sorry, folks, but Migos is crashing hard and Sam Hunt is somehow getting worse. Fuck, this was hell to get through.

But on a different note, I've got Ty Segall next, so stay tuned!

billboard BREAKDOWN - hot 100 - february 18, 2017

To say I have some mixed feelings about this week would be understating it. On the one hand, I'm reasonably happy with a few shifts in our top ten - we've got a returning #1 I actually like and it looks like it'll have some staying power. On the other hand... this was the week Migos came in force, and nearly half of our new arrivals involved them - and that's not counting another song that seemed destined to even further sink my regards for the artist into the earth's crust, but we'll get to that in a bit.

billboard BREAKDOWN - hot 100 - january 28, 2017 (VIDEO)

I have to say, I'm still enjoying those Ed Sheeran songs more than I think anyone expected. Yeah, still pretty damn solid, I'm kind of looking forward to the record...

But on the topic of something I wasn't really looking forward to - well, stay tuned!

billboard BREAKDOWN - hot 100 - january 28, 2017

Well, isn't this a fascinating development... and yes, I did call it last week. Even though the rest of our chart really isn't all that interesting, everyone's eyes are fixed on the big #1 debut, the sort of return that if you had told me that this could have happened even five years ago, I would have called you crazy. And yet to some extent it is historic, because for the first time in the history of the Billboard Hot 100, this is the first time two songs from the same artist ever debuted in the Top 10 at the same time. I knew people had missed Ed Sheeran for some time, but that they missed him this much is a little amazing, at least to me.

billboard BREAKDOWN - hot 100 - june 18, 2016 (VIDEO)

So I'm going to be experimenting a little with colour correction in my videos, add some richer hues, see if it looks any better. Thus far, turned out pretty sweet, I'm definitely pleased.

Next up, Maren Morris, then Dan + Shay and we'll see if the country streak will continue - stay tuned!

billboard BREAKDOWN - hot 100 - june 18, 2016

So you know how this week I'm aiming to focus more than normal on country music, given that by far it'll have the most new records dropping? Well, it turns out that the Billboard Hot 100 decided to follow suit, because especially when you take a look at our new arrivals, the big story is country music gearing up for the summer, and I can expect if songs from all those albums impact the charts, we might be seeing a fair bit more of it and I'm not really complaining.

billboard BREAKDOWN - hot 100 - october 24, 2015 (VIDEO)

Well, that was easier than usual! It's nice being able to complete an episode without completely losing your entire project.

But moving on from that, I've got another review coming tonight, so stay tuned!

billboard BREAKDOWN - hot 100 - october 24, 2015

Don't be deceived by this week. Those were the words that were running through my head across this week as the initial sense of relief flooded through me. Yes, no more Drake and Future songs to cover, yes, we actually got more returning songs than new tracks on a reasonably short week, and hell, a song from one of your favourite albums of 2015 came back to the charts. But the more I pored over the charts, the more I got the feeling that the current rising 'stars' aren't exactly on the good side, and we could be in for a world of problems across the rest of the fall.

billboard BREAKDOWN - hot 100 - june 20, 2015 (VIDEO)

Completely forgot to post this. Oops!

Next up, Surf - stay tuned!

billboard BREAKDOWN - hot 100 - june 20, 2015

You know, after the past few weeks – and somehow falling behind again in my reviews – it’s nice to actually have a new Hot 100 that’s actually fairly lightweight in terms of new songs, most of which I’ve already heard before in some capacity. It’s one of the breather moments you get as summer starts to settle into gear and the album release schedule eases back a bit, at least for the pop charts.

billboard BREAKDOWN - hot 100 - january 17, 2015 (VIDEO)

Dear god, this was a rough week - although, bizarrely, nowhere near as bad as I was expecting. Let's hope for the best next week, where I have a very manageable number of album reviews and I'm expecting to deal with the extended aftermath of Rae Sremmurd. Lovely. Either way, stay tuned!

billboard BREAKDOWN - hot 100 - january 17, 2015

So once again this week we're dealing with the last fragments of 2014, even as the new hits of 2015 begin to rise up the charts. And yet even despite the turnover to a new #1 - trust me, we'll get to it, I'm as excited as anyone - I can't help but look down past the justly deserved gains and see a whole load of crap bubbling up to the surface. Folks, there are some bad songs that dropped this week, and believe me, it's not going to be pretty cleaning them out.

video review: 'montevallo' by sam hunt

Well, that was a total waste of time.

Okay, next up is going to be Objekt, I think. Not sure if it'll be up today or tomorrow - All Hallow's Eve is upon us! So stay tuned!

album review: 'montevallo' by sam hunt

Okay, I've gone on record as being more tolerant of pop-flavoured country music than most. I've given good reviews to Keith Urban's shift towards a more pop-flavoured direction, I didn't mind the new album from Dan + Shay, and hell, Lucy Hale's Road Between is probably going to go down as one of my favourite albums of the year.

But let me stress that there is a line for me, a tipping point when the pop seems to overtake the country so obviously and instead of just outright making pop music - which I would not have a problem with - they try to hide it with painfully thin country flourishes. You get fragments of acoustic instrumentation - none of it with any texture - hidden behind such obvious electronic effects that feel plastered together to disguise how thin and weightless the music really is.

And believe it or not, this has happened before. The sleepy pop country of the mid-80s, the Shania Twain-driven wave in the late 90s, and today, in the era of percussion over melody, EDM, and everyone trying to wedge a rap cadence into their pop song, it's happening again. Some have called it the era of the monogenre, but I'd argue it's all just pop music that's pretending to be more than it is, which to me reflects something a lot worse. As someone who likes pop, country, and most of what's in between, it gets exasperating when pop music co-opts country aesthetics to hop on a trend instead of trying to blend the sounds in a way that feels cohesive or reflects an interesting artistic vision.

And with all that, we come to Sam Hunt - and at first glance, he did show some promise, as he cowrote 'Cop Car' by Keith Urban and 'We Are Tonight' by Billy Currington, two songs I'd argue are the best of their respective albums. But early impressions of Sam Hunt from his smash single 'Leave The Night On' were not good - not because it was offensive or obnoxious, but because it screamed of the most sterile country-flavoured pop I've ever heard, complete with drum machines, a rapping cadence for the chorus, and lyrics straight out of the hook-up brand of pop-flavoured bro-country. In other words, I did not have a lot of hope for his debut album Montevallo, but when I started hearing positive remarks surrounding the album's songwriting... well, I had to take a look. What did I find?