Showing posts with label tool. Show all posts
Showing posts with label tool. Show all posts

Tuesday, September 3, 2019

video review: 'fear inoculum' by tool


And this is going exactly as I predicted... go figure.

Anyway, the disappointments might keep coming here - and this one is going to sting for me, so stay tuned?

Monday, September 2, 2019

album review: 'fear inoculum' by tool

So last year I made a fateful hot take tweet that Tool would never make another album - or even if they did, it would never live up to the expectations of fans. As of now, it seems like both statements are untrue, as there's a new Tool album and the fans seem overjoyed - hell, it might even be true for me... but that's more because I never had any expectations for Tool to begin with.

Yeah, let's get this out of the way now, I've danced around it for years and it should be on the record: I'm not much of a Tool fan. Of the "big four" in progressive metal, I've typically ranked Tool as my least favourite among Queensryche, Dream Theater, and Fates Warning, and revisiting their entire back catalog for this review has only cemented that opinion. And there's no easy way to approach this opinion in a way that won't piss off the legion of Tool fans - which if I had less tact, boy would I have words for that crowd - and let me stress that I get Tool's appeal and influence; it's just that most of appeal and influence doesn't work for me whatsoever. And I don't even think that should be surprising - you all know how much of a fan I am of melody and tight song construction, two things that Tool seems to treat with disinterest at best as they lock into extended polyrhythms amidst a load of dated alternative metal downtuning which is technically complex and impressive, but emotionally unengaging. And this would be where the band would point to the songwriting... which is the definition of two-dimensional, soaking in try-hard nihilism and abstraction - a shame because there can be a real emotional core and idea to some of these songs bowled over by hamfisted lyrical bluntness - and quasi-spiritual pseudoscience that either is more impressed with its cleverness than its depth or only bothers to make sense after several bowls and a handful of caps! And yet it's absolutely no surprise to me that Tool became by far the "biggest" of the big four coming out of the 90s - they certainly sound most 'of the time', and to their credit they're absolutely a band with a lot of talent that took risks, even if its not my thing I can appreciate what they were trying on a project like Lateralus, especially when they actually embraced some convincing heaviness - but it also put to mind a common observation: a lot of progressive metal fans are also Tool fans, but not nearly as often the other way around. 

And normally this wouldn't be an issue - I prefer the more tuneful side of prog metal and there's normally a ton of that, I can leave Tool's bloated song structures and edgelord deflection and sloppy vocal mixing for the fans - except that Tool has been influential, and while it's inaccurate to blame the spread of utterly tedious focus on polyrhythmic groove patterns and djent over melody through progressive metal on them, on a compositional and structural level they share some DNA. And then factor in the structural disinterest in hooks and concepts that don't hold up to much intellectual rigor, especially when channeled through increasingly blunt poetry... look, I wasn't cheering when Tool went on indefinite hiatus, but I wasn't exactly cheering for their return either. So with all of that context established and all the dislikes firmly given, what did we get out of Fear Inoculum?

Wednesday, August 14, 2019

billboard BREAKDOWN - hot 100 - august 17, 2019 (VIDEO)


So, lengthy episode, but I am happy I got to it all the same - good stuff!

Next up... well, I'm on vacation, so I'd venture over to my instagram to keep up to date on what's coming, so stay tuned!

billboard BREAKDOWN - hot 100 - august 17, 2019

You know, I should just give up making these sorts of predictions one of these days. Here I go thinking that we wouldn't get much of an impact this week, that things would slow down, some of it even based on the evidence that the last time Drake reissued a project - that being So Far Gone - it didn't hit the charts that strongly. And yet apparently just enough time as passed to get a sizable compliment to hit the Hot 100, along with a bunch of assorted pop country because Billboard wants to make my life difficult before I go on vacation - go figure.