So now that we're heading into the final weeks of this year, I think I can state this definitively: it was not a banner year for country music, especially for women and especially in the mainstream. Forgetting the ugly 'tomato' controversy and focusing just on the music, not only were the crossover hits fewer than ever, you'd typically have to add some heavy qualifications to calling them country at all. And the sad thing is that if you look to the indie scene, it wasn't that the records were bad so much as they were underwhelming compared to their previous work. Lindi Ortega, Kacey Musgraves, Ashley Monroe, it happened to all of them, and it's not like any of them were crossing over to compete with Maddie & Tae or Carrie Underwood or Kelsea Ballerini any time soon.
Now there were two big 'exceptions' to this rule, the first being the unprecedented success of Little Big Town's 'Girl Crush', but I'm inclined to disqualify it from the conversation because Pain Killer dropped in 2014, they're a mixed-gender band, and you'd have to put some serious qualifiers on calling that country instead of folk or maybe even pop. The second is the unexpected sleeper hit of 'Burning House' by Cam, a song that I was initially not particularly impressed by when I covered it on Billboard BREAKDOWN, but in retrospect have come to appreciate a fair bit. That song - which has turned out to be the highest selling country song from a female artist in 2015 - led me to dig a little more into Cam, a singer from San Francisco who got her start as a songwriter before meeting up with producers Tyler Johnson and Jeff Bhasker, the latter who in recent years has been known to work with Kanye West, Natalia Kills, fun., Beyonce, and most recently Mark Ronson on his chart-dominating smash 'Uptown Funk'. In other words, we're looking an artist who once wrote for Miley Cyrus, seemed the furthest thing from Nashville and who ended up signed to Arista Nashville, the label of Brad Paisley and Carrie Underwood. Worse still, even despite some positive critical press the label decided to release her debut album in mid-December - otherwise known as the dumping ground for album releases that labels have zero confidence will stick, because year-end lists are getting published, the charts are slowing down, and most people just don't care in the same way for new releases during the holiday season. And yet 'Burning House' continues to rise on the charts and I figured I might as well try to give Cam's debut a chance if nobody else would - so how did it turn out?