I should have been a lot more on the ball with CupcakKe.
And I know for a fact that me making that statement will surprise or even confuse some of you, especially if you have only a passing familiarity with this Chicago MC. If you only know her from her image or reputation for making hyper-sexual, confrontational bangers in the vein of a Lil Kim or Missy Elliott or early Nicki Minaj, you might have been inclined to dismiss her as a viral sensation but not having much beyond that. And thus when I started getting requests to cover her third full-length record Ephorize early this year, I was inclined to blow it off... but I didn't have much else on my schedule so I figured I might as well check out her first two records.
And I'm so glad I did, because while she does have some songs that fit this image, CupcakKe is one of the most impressive new MCs I've heard in some time, no question. A ton of charisma and real stage presence, a diverse set of colourful flows that rhyme and connect way more consistently than so many of her male counterparts, and while she might make those provocative sexual songs, she was just as capable of bringing explosive bangers and starkly emotional and vulnerable tracks with real intimate intensity and intellect. Coupled with a fervent desire to remain independent and an uncanny knack for accessible but hard-hitting production, she showed a ton of real potential that I really appreciated. Now I wouldn't quite say I was entirely won over by either Audacious or Queen Elizabitch - both very good projects, for sure, but the former had a few sung hooks that are definitely not CupcakKe's strong suit, and the latter indulged in more trap-leaning production that didn't always flatter her, a little too desaturated and narrowly focused. But all the buzz was suggesting that Ephorize manage to strike the right balance and I wasn't going to miss out this time, so what did we get here?