Showing posts with label ajr. Show all posts
Showing posts with label ajr. Show all posts

Thursday, May 2, 2019

video review: 'neotheater' by ajr


So it was written... so it was done.

Okay, next up I want to handle either Resonators or that P!nk album, we'll see. Anyway, stay tuned!

album review: 'neotheater' by ajr

...well, second time's the charm, right?

But before we get into this, let me set the scene: it's the middle of July in 2017, I'm churning my way through my schedule, and I figure on a lark I'd check out this new project from a band for which I had no expectations. Yeah, their first album had been an inflamed cyst upon the bowels of 'indie' pop rock, but reportedly they had "left" their major label to deliver this themselves - a facade easy enough to blow through when you consider the connections they had and the copyright claims they leveled and any access to Billboard and RIAA documentation, but I respect the persistence to hold up the illusion and call me a liar directly for pointing it out. But I'm getting ahead of the story, because at that point, while I had zero expectations the album would be good, it couldn't be that bad, right?

And you know the story: I took in the album and despite being quite ill at the time - and speak of the devil right now - I got in front of the camera and gave it the thorough flensing it deserved as an incoherent fusion of genres and malformed ideas that was still screamingly convinced of its own transcendent power. To this day it is the worst project I've ever "reviewed" on my channel - and I say that more because there's a part of me still faintly sickened by the pastel-shaded cumshot wrought upon the tears of an evangelical youth group taking their first hits of a bad joint laced with PCP. And while one can recoil in absolute revulsion from the sound on display, what I took the strongest umbrage with was how it was a complete thematic failure: sure, the lyrics might be overstuffed and drooling over with dunderheaded pop culture references that fostered a lingering suspicion the trio was more brand deal than band, but at its core it was an attempt to complete similar arcs to what twenty one pilots did with Blurryface or Jon Bellion did with The Human Condition in examining the arc of their success, taking the novel approach to avoid owning any real drama by making the mother of bad faith decisions to wallow in over-privileged non-action. That's what made the project feel so hideously wrong to me, clearly deluded into believing there's dramatic impact through their framing and delivery, and then delivering something the antithesis of all of it - it'd be worthy of Dadaist horror if there was any trace of subversive thrill instead glassy-eyed, autotuned scatting.

That was 2017. I posted the review, it went about as viral for me as any album review is wont to do, to the point where Angel Olsen's embittered 'they made a meme out of my legacy, darling' from Alex Cameron's 'Stranger's Kiss' echoed whenever I thought about it. That the revolting thing about the acts you lambast in the era of internet content creation, because in addition to their somehow real fanbase, they have picked up waves of infamy thanks mostly to yours truly. And thus in the only way they'd understand when they see this review - a pop culture reference - I thought of the Joker near the end of The Dark Knight and the line, 'I think you and I are destined to do this forever'. And so we have Neotheater - reportedly a bit better and a bit darker from the trio, and with no obvious featuring credits to jeopardize that illusion they aren't managed or distributed through the major label system. And considering you all want it, what did we get?

Wednesday, November 28, 2018

billboard BREAKDOWN - hot 100 - december 1, 2018 (VIDEO)


So yeah, still fighting some copyright nonsense with this one, but one of the claims was released so I've got a hope that it reflects well going forward. Beyond that...

Well, J.I.D is out and I'll probably get Resonators and the Trailing Edge out soon, so stay tuned!

Tuesday, November 27, 2018

billboard BREAKDOWN - hot 100 - december 1, 2018

And so begins the fifth season of Billboard BREAKDOWN, the fifth year that I've been making this weekly show and what many folks have outright told me is the biggest draw to this channel. And you know, deep down there's a part of me that does have optimism for the future and the rough hope that things will improve in 2019, following off a particularly rough year in 2018 that may not have been as bad as 2016, but it certainly feels close. And yet if this week is any omen for what's to come... well, we'll get to it.

Tuesday, July 18, 2017

video review: 'the click' by ajr


So I may have gotten a tad bellicose and profane in this review - hey, when you're in hell, you do as the demons do, I guess.

In the mean time, I've got a few other things coming up tonight that are much better...

Monday, July 17, 2017

album review: 'the click' by AJR

A friendly warning: this review will not be safe for work. There will be plentiful profanity in descriptive and disgusting varieties. I'm not quite certain what the qualifiers for any bots to flag a video like this as age-gated, but this review will certainly test them. If you have an issue with such a bellicose manner, I highly recommend you click away now, because the next several paragraphs of this script will surely aggravate you. I also recommend if you're a fan of this band, unless you're into a sort of masochism that involves sounding, you might want to clear out too - to put it mildly, you're not going to like what I'll have to say.

Wednesday, April 19, 2017

billboard BREAKDOWN - hot 100 - april 29, 2017 (VIDEO)


So this week... as I said on Patreon, I'm not precisely pleased with the thumbnail, but I think the episode turned out okay, which is fine.

Next up, Deep Purple and then something I should have tackled a month ago - stay tuned!

Tuesday, April 18, 2017

billboard BREAKDOWN - hot 100 - april 29, 2017

If this was any normal week, I'd be inclined to say it was transitional, an otherwise regular week as older tracks rotate out in preparation for spring. Maybe even a little unexceptional, given that The Chainsmokers seem to have finally hit their fifteenth minute with no new songs from their debut album making a significant impact. But this is not an ordinary week, because with the monstrous streaming numbers that Kendrick Lamar's DAMN. is currently racking up, it's a more a question of which tracks will survive what's coming.