Well... okay, I was expecting more from this, but overall, it's decent. Breezy to a fault, but like with Kygo, it doesn't really stick with you, and probably would have benefited a late-summer release. Eh, whatever - next up is Little Mix and then I've got a BIG announcement over the weekend - so stay tuned!
So it's been fairly well established that the flavour of electronic dance music that was popular this year was tropical house. Reggae lilts in the guitars, hollow synths, textured percussion, a very breezy, languid vibe, it was all over the place this year. And since most of it seemed to forget that adding some actual colour to your instrumental tones help them stand out, it also led to a listless haze that did nothing for me for the majority of the year. Now it wasn't all bad, especially if you drifted away from the United States where brighter tones managed to seep through - hell, look at Kygo - but there was one song that fell into interesting territory: 'This Girl', a collaboration with French DJ Kungs with an Australian funk band called Cookin' On 3 Burners. And while I definitely liked the song, one thing I noticed is that it really was on the border of tropical if that - despite sandy percussion, the guitar rollick, the soulful vocals and blend of horns reminded me more of the house trends that crossed over throughout the 90s. Some have called it a leftover of the deep house that dominated 2014, but the tones here were nowhere as saturated and dark. In other words, it was a good song, and it really should have done better on the Hot 100, but it seems like nobody wanted flair in their music in 2016, so other EDM songs that should have done well, it had momentum and then crashed pretty hard. But I was still curious - after all, Kungs hadn't even reached twenty yet and he had a hit that had been huge worldwide, I was curious if he had more up his sleeve. So I checked out his full-length debut album Layers - what did we get?
You know, there's an adage I have on this show that the Canadian charts are always better, mostly because we didn't get rid of rock radio and we at least try to cultivate more unique Canadian acts. And yet if we look at the 2016 Hot 100, which many critics are already claiming is one of the worst years on record for this decade, it's been dominated by two Canadian artists coasting more off production than any sort of lyrical or vocal personality. Now I could make the argument that we as Canadians tend to manufacture some distance with our stars - Drake and Bieber have both been bigger south of the border than they have here - but on the other hand, we did let Bieber debut at #1 where he only landed #2 this week, so take it as you will.
Well, this was a quick episode. Shame so much of it sucked, but what can you do, really... Okay, I think I've got to cover this Jon Bellion thing for all of you to stop asking already, and then Brandy Clark - stay tuned!
So, in the business, this is what we call a slow week. Hell, it's the big reason why I could get away with covering a week of country music and not really have to worry about anything else - which meant that very little worth caring about landed on the Hot 100. But that's fine, I don't mind having a shorter week, and I might as well enjoy it before the end of June happens and happiness goes right out the window - and if you've seen the hip-hop releases scheduled for June 24, you'll know exactly what I'm talking about.
