the top 50 best songs of 2018 (VIDEO)

Honestly, I forgot to post both the videos here, but I'm generally pleased with how all of this came together. Hope y'all enjoy!

the top 25 best albums of 2018 (VIDEO)

And that's the last of year-end list promotion...whew.

Next up... honestly, no idea, we'll see - stay tuned!

the top 25 best albums of 2018

Normally this is the list that feels like the greatest relief to make - it's the final moment where we can lay a year to rest chronicling the best of the best, the sort of release that comes with it being the last list but also one that feels the most professional, for lack of better words. I'm having fun with the lists of the best and worst hits, I'm getting more personal with the overall songs list - this list for critics is staking claim, drawing our lines in the sand, and as such, it's normally the most professionally rewarding.

But I have to say, in comparison to previous years, this list was not that hard to make. Even though I covered far more albums in 2018 than ever before, it felt like I hit greatness less often on average. Which is probably not completely true, but it sure as hell feels like it, especially given that the cuts weren't that painful this year, or it certainly seemed like there was less of them to make. And while I don't do an Honourable Mentions segment for this list, I will say I'm a little regretful that I have to leave Rolo Tomassi and Against All Logic off this list, and I'm sure I'm going to surprise some folks by saying that Beach House and Kacey Musgraves also missed the cut - sorry, but especially in country, Kacey had stiffer competition. But really, if we're to highlight a genre that turned out in spades in 2018, it was hip-hop - and no jokes here, this is more hip-hop on this albums list than I think there has ever been before... which yes, means that there were two painful cuts in the form of Marlowe and Armand Hammer. But you know, let's start off with hip-hop here...

the top 50 best songs of 2018

The tagline that I've always had with this list is that it's the hardest to make, but let me qualify it: it's the one that easily requires the most work. And considering this is the year where I reviewed more albums than ever before, you'd think for the sheer volume of material this would be excruciating to assemble...

But in truth, this top 50 list actually fell out pretty quickly, at least with respect to the volume of music I've consumed. It still takes a lot of refinement to go through the best songs of any given year, but the truth about 2018 was that for as many songs as I loved, most of them were concentrated onto specific albums, which might lead to a slightly less diverse list as a whole. And if there was a year where my qualification that I can only put up to three songs from any given album on this list was tested... yeah, it was here. And yet even with that qualification, this list is kind of all over the place - little more hip-hop heavy than previous years and we'll get into why on my final list - and I'll freely admit there isn't quite as much metal or electronic music I'd prefer, but I needed to be honest with this one. Keep in mind songs from albums I covered on the Trailing Edge are eligible, and that if you don't see any songs from an album I loved earlier this year, there's no guarantee it won't show up on a different list - some albums don't put out the best individual songs and vice-versa. 

But no more wasting time, let's get this started!

video review: 'the tree' by lori mckenna

Yep, already said plenty in the review: one of the best records of 2018, definitely make sure you hear it.

But on the flip-side of that... well, that's not fair, it's not quite bad, per se... just stay tuned!

album review: 'the tree' by lori mckenna

So here is how the average music fan discovers Lori McKenna. They may have noticed her name alongside mainstream acts like Tim McGraw and Little Big Town in the credits of Grammy wins, or her own justifiable set of nominations. More likely they've seen her name pop up among certain indie country critics in the know praising her record The Bird And The Rifle, maybe even ringing up praise as one of the best records of 2016. And then they check out that record to discover it's goddamn amazing from McKenna's songwriting to Dave Cobb's production and makes them all ask the question why the hell they hadn't heard of her before - and then they discover that McKenna has been putting out records since the early 2000s and was once signed to a major label for other releases like 2004's Bittertown and 2007's Unglamorous, so how in the Nine Hells did she fall off everyone's radar? It couldn't have been just going indie, because 2011's Lorraine was damn near a masterpiece...

And keep in mind it's not just me who has gone through this arc of discovery - hell, the self-professed 'dean' of music critics Robert Christgau freely admitted he lost track of Lori McKenna and then made up for it by covering the majority of her discography en masse and then writing a well-deserved profile piece! But it's sadly not uncommon for music critics and listeners even in the internet age to lose track of indie country acts, especially ones who are not flashy or actively seeking the spotlight - and in comparison with other genres, country is still years behind when it comes to web presence and the sort of audience that that would love McKenna's music if only they knew it existed. And that means I wanted to make it a serious priority to cover this album as soon as possible... so what did we get from The Tree?

the top 25 best albums of 2016 (VIDEO)

And here's the final list of my favourite records of 2016 - took too long to post this here, but man, it was worth it. Enjoy!

the top 50 best songs of 2016 (VIDEO)

A little late to post this one, but man, for as long as it took to get right, I'm happy it's done. Enjoy!

the top 25 best albums of 2016

And now, the final list, the one that always gives me the most anxiety but also the one that I'm always happy to have finalized by the end of the year - or by the first few days of next year, I'm going on vacation for the first week of January and I'm in a bit of a rush to get packed and ready on time, so this video might be a day or two late. 

But in an odd way that's kind of representative of 2016's albums as a whole, as I've definitely not seen a lot of common consensus surrounding picks - and fair warning, that'll be very true with these as well. Great records in 2016 came in fits and spurts, with a lot of big returns that didn't quite impress me, some debuts that blew me out of the water, and a predominant theme of endings that ran through a lot of albums that I covered and loved this year. I'm not quite sure if it's reflecting the tempo of the times or my personal feelings surrounding the year, but this list really feels all over the place, all albums I loved but coming from radically different locations, styles, and genres than I expected. In other words, there are albums that you will not recognize on this list, and a few major exclusions.

But it also runs deeper than that: for instance, this is the first year I've ever given out a perfect score on this channel - and then I did it twice. I'll get more into this when I talk about the albums at length, but I would recommend you consider my top two choices as interchangeable at best, I flip back and forth with them every day. There's also a whole bunch of albums that narrowly missed the cut, from punk veterans like Against Me!, White Lung and Jeff Rosenstock, to metal and experimental rock like Swans, Savages, Epica and Tarja to hip-hop powerhouses like clipping., Ka, LMNO, Elzhi, and Denzel Curry. And as I've mentioned a number of times, country had one of its best years in recent memory, and that led to some extremely painful cuts, from the superb pop country of Jennifer Nettles to the neotraditional tones of Cody Jinks and Mark Chesnutt to the stripped back indie starlets like Karen Jonas and Dori Freeman. Everyone I just mentioned dropped albums this year you can consider honourable mentions that I couldn't rank if I wanted to and are all worth your time, but now it's time for the list proper, starting with...

the top 50 best songs of 2016

I've gone on record that this list in particular is always the hardest to make. Refining a list of songs that I've covered on albums I've reviewed over the course of the year - which numbers in the thousands of songs - down to a select six hundred or so, then down to a subset of just under 200... and then the final fifty. Suffice to say, there's always a lot to cover.

But I have to say, this year felt easier than others. I'd say part of it is that I'm getting a better handle on my organization going into these lists, but that would assume I've got some inkling of what I'm doing here. I think the larger factor is that the truly amazing songs that monopolized my year - the top 35 or so - they fell into place remarkably quickly, and that made ironing out the details easier than I expected. Maybe it was because it was easier for me to get passionate about some of these tracks than before, because if you ventured away from the mainstream Hot 100, there was a lot of great music in 2016. Away from the charts there was great metal, rock, synthpop, hip-hop, and especially country, which had one of its best years in recent memory, and fair warning, there's going to be a lot of it on this list.

As always, the songs had to appear on any one of the albums I reviewed - singles or deep cuts, all are possible, so no more wasting time, we have a lot to get through! So let's start off crazy with...

video review: 'the bird & the rifle' by lori mckenna

So this record was downright amazing. Easily one of the best of the year (and of a pretty bleak summer that we've had), ridiculously solid and well-written work here from a long-time veteran who deserves a lot more acclaim.

In any case, you all know what's coming next... stay tuned!

album review: 'the bird & the rifle' by lori mckenna

So a week or so back Billboard hosted a round table of female country artists and the current frustrations they have dealing with country radio's inability to get them on the air. This has been an ugly situation that I've discussed before at length during the height of bro-country, but even now little has changed outside of isolated moments of success, where b- and c-list male acts can snag airplay and festival stages while leaving their female counterparts high and dry. This hit an apex in 2015 with 'Tomato-gate', when radio consultant Keith Hill compared women in country to 'tomatoes in the salad' - and yet a year later outside of isolated moments, little has changed. Kacey Musgraves and Cam both stalled out on the radio despite great singles, and though Maren Morris' 'My Church' was a hit, I don't see that follow-up coming. Then you have Kelsea Ballerini's lack of concern about all of it... well, we'll see if that changes when 'Peter Pan' starts to dry up, and that's speaking from someone who likes that song!

And yet that roundtable had an undercurrent of optimism that things were going to get better - and I'd argue they're right, but I wouldn't say any of them were leading the charge. With the exception of fringe indie artists like Dori Freeman who deserve a lot more attention, 2016 has had a slew of strong albums from women, specifically older women like Brandy Clark and Jennifer Nettles who are releasing strong solo projects in their forties. And to add to that mix comes Lori McKenna, a songwriter who has been working behind the scenes for decades but recently received praise for her work behind Little Big Town's 'Girl Crush' and Tim McGraw's 'Humble And Kind'. And yet indie country fans know that she's been releasing critically acclaimed records since 2000 with a distinctive folk-touched vocal tone and the sort of sharply incisive songwriting that isn't afraid to pull punches. She actually did release an album called Unglamorous on Warner Bros in 2007 in the height of a small boom for women in country - and for the record, that record has aged incredibly well and does indeed hold up, but the production was far too slick to match her writing, and I don't have any problem believing it got lost in the crowd. So she went right back to the indie scene where country and folk blended a little more easily and four years later in 2011 dropped a borderline classic with Lorraine - seriously, if you're looking for the three records to get a full picture for Lori McKenna, it's 2004's Bittertown, 2007's Unglamorous, and 2011's Lorraine. Hell, you could argue that the reason her following two records, 2012's Massachusetts and 2014's Numbered Doors, didn't quite leave the same impact is what they had to follow, although in both cases you could make the argument the songwriting didn't quite cut as sharply as the best hits of either record.

And yet with the success of 'Girl Crush' and 'Humble And Kind', Lori McKenna now has more momentum than she's had in probably a decade, so she connected with Dave Cobb and put out a new record called The Bird & The Rifle - and yes, I know I'm late to the party here, but I knew after going through her entire discography I had to cover this. So does it live up to my high expectations?