So it might not be obvious, but I've had a fucking miserable night trying to get all of this put together. Jesus Fucking CHRIST, YouTube can fellate several shotgun barrels, their horrible UI design and worthless back-end deserves all the scorn in the world and every developer and QA tester should be fired into the goddamn sun.
ANYWAY, I have no idea what I'm going to review next, so stay tuned!
So regardless of any scattered tidbits of information we might get the next week or two, I'm at least confident that this week is in the 2020 Billboard year - a pretty busy week too, mostly thanks to the abortive mini-album bomb of Trippie Redd and the return of Christmas music, but I guess I'll take what I can get here as the charts continue to slow down as we head deeper into the holidays?
Yes, I know this is up early. That's because it's a short week and I wanted to get this done and crash early, I need my sleep. Anyway, Freddie Gibbs and maybe (just maybe) someone else tomorrow too, so stay tuned!
So this is the sort of week on the charts that I like. Not just that it's a cooldown week and we got a pretty small list of new arrivals, but also because it's the sort of delayed reaction to a big smash that will often tell you a lot more about what songs actually have momentum. Plus, the majority of this week was watching Drake songs lose, and I can't say that's entirely a bad thing either!
Well, this was an absolutely miserable week to get through... sorry, folks, but Migos is crashing hard and Sam Hunt is somehow getting worse. Fuck, this was hell to get through. But on a different note, I've got Ty Segall next, so stay tuned!
To say I have some mixed feelings about this week would be understating it. On the one hand, I'm reasonably happy with a few shifts in our top ten - we've got a returning #1 I actually like and it looks like it'll have some staying power. On the other hand... this was the week Migos came in force, and nearly half of our new arrivals involved them - and that's not counting another song that seemed destined to even further sink my regards for the artist into the earth's crust, but we'll get to that in a bit.
Well, this was absolute hell to put together. True facts, you never want to review or cover material, much less edit something, when you feel sick as a dog. And while things are getting better, this was still a miserable shoot all things considered. And on that topic - okay, maybe not that bad, but still - stay tuned!
...look, they can't all be good weeks. But to quote a favourite critic of mine, often times the worst kind of bad is the absence of good, and the more I looked through the charts this week, the less I found that was all that promising, not just in our new arrivals but in the songs that took measurable hits. Now don't get me wrong, the Billboard Hot 100 has had worse - look to most of last year - but if 2017 has been characterized by a noticeable positive uptick on the charts, which I'd argue it has, this is not a good sign.
Believe it or not, this was actually an easier episode to edit than the last one - took less time too, so go figure. Next up, Cole Swindell, so stay tuned!
This is probably not going to be one of the nicer episodes of Billboard BREAKDOWN, just so you're all forewarned. And those of you who follow this series probably know that already because I've been calling this for a few weeks now. Well, my predictions came true, and not only did we lose every single Prince song from the Hot 100, they all got replaced by Drake, including the #1. And I'm going to say this right now: Views has only become less interesting since I covered it, and while you could cite that being my own fault given that I've been listening steadily to Aesop Rock and Death Grips, it doesn't change the fact the record is tedious, inconsistently produced, and increasingly badly written. And yet the mainstream public jumped all over it, giving Drake the record number of Hot 100 entries - and yet unlike Beyonce, I wouldn't expect many of these to stick around.
Man, this took WAY too long to finish. Long episode too, so I hope you all enjoy! Next up... hmm, time to take care of some unfinished business, so stay tuned!
And to think this week was going to be busy enough. The chart instability is only getting more pronounced, we've got a healthy list of new arrivals - including what looks to be bad signs coming from Drake's lead-off to Views From The 6 - I thought things would be mostly stable. So of course here comes Kanye West with eight new songs from The Life Of Pablo, an album I covered nearly two months ago with one of the most confused release strategies I've ever seen play out. Of course, such is the transcendent power of Kanye's fame and fanbase that the album went to #1 on streaming alone, regardless of middling quality or the fact that it's been out for two months already.
