Showing posts with label hollywood undead. Show all posts
Showing posts with label hollywood undead. Show all posts

Monday, November 6, 2017

video review: 'five' by hollywood undead


Well, unsurprising to anyone, this is garbage... but really, did we have any reason to expect otherwise?

Next up, something MUCH better, stay tuned!

Friday, November 3, 2017

album review: 'five' by hollywood undead

So if it isn't unbelievably obvious, I didn't want to cover this. More importantly, I have no idea why anybody wanted me to cover this - I'd like to think my Patrons watch my reviews and aren't just adding records to fill space on the schedule, and the fact that this consistently got so many votes utterly baffles me.

But I don't want to mince words here with this: Hollywood Undead sucks. As someone who likes good metal and good hip-hop and can tolerate some crossover between the two and even appreciates a good horrorcore gimmick, this is the sort of group I would have avoided like the plague, because, as I keep on saying, I never had an angry white boy phase! And after I listened through all of their last albums, that's really the only demographic I can see somewhat appreciating this, even ironically. The best way to describe their first record was trying to split the difference between Eminem and Linkin Park, but the rapping was nowhere close to as good, the clean singing was a poor imitation of Chester Bennington at best, and the production has aged particularly badly. They got a bit heavier on their second record, but the clean singing and rapping somehow got worse and I found their blend of meat-headed flexing and flimsy shock tactics to almost reach the point of parody. To someone who listens to far nastier hip-hop and metal, this doesn't shock me, but unlike Marilyn Manson or Eminem, there was no depth or skill or potent fire to outlast the shock tactics, and the ballads might be some of the most embarrassing music I've heard all year - how anyone can justify a song like 'Bullet', I have no idea. And from there... look, no matter how many bargain-barrel Skrillex-ripoff effects you add to subsequent records, it doesn't make the writing any less walking cringe! The best thing is that if you completely tune out anything these guys are saying, the production can go in a somewhat interesting direction with a decent hook or groove, but that's not saying much. So forgive me when I say I had no expectations for this new record, which reportedly was taking things in a completely new direction... yeah, I'll believe it when I hear it. So what happened on Five?