Showing posts with label saor. Show all posts
Showing posts with label saor. Show all posts

Sunday, June 30, 2019

the top albums/songs of the midyear - 2019

So for one of the first times when I'm making this midyear retrospective, I have to introduce a major caveat: I'm putting together this list before listening to the long-awaited return collaboration between Freddie Gibbs and Madlib. Make no mistake, I want to hear it and it'll probably get a ton of praise from me given how much I loved Pinata, but it's also going to be a project I'll need time to process and I don't want to rush a review before the midyear and risk delays, so if you're wondering why that's not here, that's why.

But it's also important to highlight that even if that album is as amazing as I hope it'll be, it would face some stiff competition this year! I highlighted last year how even despite getting a pretty reasonable spread of albums it was easy to put things in position, and I wanted to say it'd be same here... until I truly took a look at how many truly stunning albums we've gotten in the first half of 2019! Country has delivered in spades, underground hip-hop is firing on all cylinders, I've got solid cuts from rock and punk and metal, and even pop and R&B have given me some choice cuts. As such, this is one of those years I've had to make some painful cut to whittle this list down to twelve albums and twenty-four songs outside those albums, and just like last year, I have to stress just because an album didn't make this midyear list is no guarantee it won't make the year-end, or that positions won't evolve or change. Also - and I feel this important to emphasize - if you're expecting to see some big name critical darlings here... well, suffice to say 2019 has been a year where I'm flying down a very different path than many mainstream critics, so if you're looking for certain albums... go check to see if I've reviewed them, that's all I'm saying.

And given that this is the sixth one of these lists I've assembled, I've got twelve albums, twenty four songs not otherwise on those albums, and let's start with...

Tuesday, February 19, 2019

video review: 'forgotten paths' by saor


Just catching up on a few posts here - and this is a fantastic album. One of the best of 2019, definitely worth it!

Saturday, February 16, 2019

album review: 'forgotten paths' by saor

So when I covered Astronoid a week or so ago, I mentioned that in my exploration of black metal I tended to gravitate towards more of the atmospheric side and the stuff that was blending in sounds from other genres, adding a little more familiar colour and texture to ease me in. And in 2016, after a draining year where I had again not covered enough black metal and I desperately wanted to hear more, I found an album by an English band called Saor, where they were taking atmospheric black metal textures and blending them with Celtic folk...

And the rest is history. That album Guardians wound up as one of my favourites of 2016, a windswept, textured experience balancing out acoustics, strings, and even bagpipes against the surging tremolo guitar lines and guttural vocals for a wild, cacophonous experience rich with huge melodies, and absolutely keeping them as a band to watch going forward. And for me, it was those layered melodies that sealed the deal - almost a visceral, borderline power metal appeal at its root, it was a band striving to sound epic and they absolutely nailed it, so you can bet I was interesting in their newest project. Four massive songs, with Neige of Alcest contributing vocals to the title track, this was one of my most anticipated albums of 2019 - so what did Saor bring with Forgotten Paths?

Monday, January 9, 2017

the top 25 best albums of 2016

And now, the final list, the one that always gives me the most anxiety but also the one that I'm always happy to have finalized by the end of the year - or by the first few days of next year, I'm going on vacation for the first week of January and I'm in a bit of a rush to get packed and ready on time, so this video might be a day or two late. 

But in an odd way that's kind of representative of 2016's albums as a whole, as I've definitely not seen a lot of common consensus surrounding picks - and fair warning, that'll be very true with these as well. Great records in 2016 came in fits and spurts, with a lot of big returns that didn't quite impress me, some debuts that blew me out of the water, and a predominant theme of endings that ran through a lot of albums that I covered and loved this year. I'm not quite sure if it's reflecting the tempo of the times or my personal feelings surrounding the year, but this list really feels all over the place, all albums I loved but coming from radically different locations, styles, and genres than I expected. In other words, there are albums that you will not recognize on this list, and a few major exclusions.

But it also runs deeper than that: for instance, this is the first year I've ever given out a perfect score on this channel - and then I did it twice. I'll get more into this when I talk about the albums at length, but I would recommend you consider my top two choices as interchangeable at best, I flip back and forth with them every day. There's also a whole bunch of albums that narrowly missed the cut, from punk veterans like Against Me!, White Lung and Jeff Rosenstock, to metal and experimental rock like Swans, Savages, Epica and Tarja to hip-hop powerhouses like clipping., Ka, LMNO, Elzhi, and Denzel Curry. And as I've mentioned a number of times, country had one of its best years in recent memory, and that led to some extremely painful cuts, from the superb pop country of Jennifer Nettles to the neotraditional tones of Cody Jinks and Mark Chesnutt to the stripped back indie starlets like Karen Jonas and Dori Freeman. Everyone I just mentioned dropped albums this year you can consider honourable mentions that I couldn't rank if I wanted to and are all worth your time, but now it's time for the list proper, starting with...

Wednesday, November 16, 2016

video review: 'guardians' by saor


So this record was goddamn amazing - seriously, I'm so happy I got a chance to cover this early, SO damn great.

In the mean time though... I'm thinking Kungs and Phantogram before the big week we've got ahead, so stay tuned!

album review: 'guardians' by saor

Okay, the last time I was aiming to talk about black metal with In The Woods..., I got thrown a curveball, namely by the fact that record only barely stuck its toes in that genre while instead embracing more progressive and doom metal touches. But that didn't mean I was going to stop looking, and thanks to you all, I got a wealth of suggestions to work with to catch up for 2016.

So on that note, let's talk about Saor, a Scottish black metal project that erupted out of the highlands in 2013 with their debut Roots, reportedly aiming for a blend of atmospheric black metal with touches reminiscent of Celtic folk. And hell, that seemed like the easiest way to get me on board since Panopticon brought in elements of country and bluegrass for that last trilogy of records, the last of which Autumn Eternal landed on my list of my favourite albums of 2015. So I was all set to like Saor... and unsurprisingly, I really did come to enjoy a lot of what I heard from both Roots and their 2014 album Aura, which balanced the relentless blur of tremolo picking with flutes, brighter acoustics, and a defiant soaring Celtic flavor in the melody lines. Now let me stress that I don't really think either record is better than Panopticon's trilogy - for as much as I loved the melody lines, the actual mixing of the black metal riffing and blast beats could feel a little sloppy, not quite always supporting the dramatic swell the way I'd like - but hey, this is a sound I'd like to see expand and if fine-tuning the details could get there, I had hope that Saor could really bring it on their release this year Guardians - was I right?