video review: 'malibu ken' by aesop rock & tobacco

Man, I kind of expected this would be a lot of fun, but it really did connect in a great way. Not quite better than The Impossible Kid, but still worth a lot of listens regardless.

Next up... yeah, Backstreet's back, folks, stay tuned!

album review: 'malibu ken' by aesop rock & tobacco

Ooh, I've been looking forward to this one.

And yes, this review might be later than you'd otherwise expect, but for Aesop Rock I wanted to give myself the space and time to fully digest this. As a rapper I'll freely admit I got into Aesop late and it took me a while to fully absorb his dense production and even more dense and layered rhymes and content, but The Impossible Kid took two big steps towards accessibility in 2016 and it wound up being one of my favourite hip-hop albums of that year, and one that I return to regularly to this day. And what I really admired was the change in tone - many of his projects could have a heavyset grimness that could be hard to process if you weren't in the right mindset, and yet for as creative of a wordsmith as Aesop was, I really liked the steps towards a more varied tone, if not precisely a lighter one.

And that takes us to Tobacco - signed to indie label Anticon, he's a psychedelic-funk electronic producer and frontman of the critically acclaimed band Black Moth Super Rainbow. Now they've worked with Aesop Rock before over ten yeas ago - Aesop even brought a verse to a breakout single 'Dirt' - but here they've teamed up for a full collaborative album that looked to bring a very different, borderline silly tone to bear. And I'll admit that Aesop was looking to bring a bit more levity to bear, this could be a really fun album, so what did we get with Malibu Ken?