billboard BREAKDOWN - hot 100 - march 10, 2018 (VIDEO)

And here we are - I'm actually a little surprised with as many debuts as we got this is actually out on time.

Okay, Phonte is up next, stay tuned!

billboard BREAKDOWN - hot 100 - march 10, 2018

So it's pretty rare I get surprised on the Hot 100 - I've been doing this for three and a half years and I have chart records going back to the 2000s, I generally have an expectation what'll land here and be successful, and I've been long conditioned by disappointment to not expect the best. But it seems like this week we got a few welcome surprises that not only met my low expectations for this week, but might have even exceeded them. I'm not saying it was precisely a great week or that any of these new arrivals will last, but some of these are encouraging.

video review: 'dear life' by high valley

And this record was a ton of fun. Man, it's not smart at all, but at some point it doesn't need to be to kick ass, and this is a prime example.

Next up... probably Courtney Marie Andrews if my schedule holds, so we'll see here. Stay tuned!

album review: 'dear life' by high valley

So it's been a while since I've talked about Canadian country music - which yes, is a thing and I'm still a little bewildered why people act so surprised when I mention that. Folks, we have open plains, the Boots N' Hearts festival and the Calgary stampede - it might be a very regional thing up here, but we do have a big market for country music.

But just like the rest of Canadian music, Canadian country is a little different. It's probably best to see it as a similar ecosystem to Texas country in comparison with Nashville - we might import a fair bit, but there are some unique traditions and sounds that we've cultivated up here. For one, there's more of a balance, as Canadian country didn't just embrace bro-country outside of a few artists. We kept something of our neotraditional scene alive, the country rock scene flourishes about as much as the rest of rock in Canada - in other words, better than you'd expect - and of course we've got our own indie country material. Hell, I reviewed Lucette back in 2014, and her last album was a prime example of that sort of folk-touched sound that we also saw with the excellent case/lang/veirs project this year - in comparison with more American folk it's a little more atmospheric and spacious and rough-edged.

Of course, there are exceptions to that rule, and that takes us to High Valley, a duo of brothers from Blumenort, Alberta, and I've actually talked about them before when I discussed their breakout single 'Make You Mine' in my roundup of the Canadian Hot 100 last year. Now they've actually been active since the late 2000s on independent labels, but the success of that single - featuring Ricky Skaggs and which has been tacked onto the American release of this album, which I'll be covering - was enough to land them on Atlantic, with the majority of the songs cowritten by the duo themselves. And look, it's hard not to see labels preparing to pitch them as an earthier, less-polished version of Florida Georgia Line, but I had hope these guys could clean up with some great harmonies to boot, especially given how good 'Make You Mine' is. So was I right?