Of the many, many album requests that I get every day, this is probably the most requested album thus far in 2015 - for a rapper who landed on the XXL Freshmen list but had no major airplay singles and was actually preferring to stay independent than sign to a major label. A new rapper erupting out of Brooklyn, affiliated with Big K.R.I.T. and Mick Jenkins with critically acclaimed mixtapes and a visceral sound and flow that definitely grabbed attention.
Yep, it's time to talk about Joey Bada$$, affiliated with Pro Era, who erupted into the game around 2012 with his hit mixtape 1999 that drew a lot of attention from hip-hop heads and critics and started getting him major hype. As it was for me, Joey Bada$$ always struck me a very good rapper with a lot of talent and definitely a strong technical lyricist, but I was waiting for him to put together a more cohesive project that rose beyond his old school boom-bap flavour. Because sure, I definitely preferred that more lyrical focus that he took in terms of technical craft, but I wanted to see what was it that separated him from his influences. He followed 1999 with the even more slick and melodic Summer Knights, and sure, it was enjoyable, but there was a certain lack of immediacy and punch to it that meant it wasn't a tape I was inclined to revisit. Definitely not bad and I appreciated Joey Bada$$' increased maturity, but after his explosive presence on Mick Jenkins' The Water[s] mixtape last year, I knew I wanted to see Joey Bada$$ bring the same fire to a project of his own. So I took the time to check out his debut album B4.DA.$$ - how is it?