Showing posts with label neon trees. Show all posts
Showing posts with label neon trees. Show all posts

Sunday, May 20, 2018

the top ten best hit songs of 2012 (REDUX) (VIDEO)


ABOUT FUCKING TIME I GET THIS DAMN THING OUT...

And now to get back on schedule. Lots to do, folks, stay tuned!

the top ten best hit songs of 2012 (REDUX)

So this top ten list is going to be a little different than the previous few I've put together - mostly because I've made it before.

So let's back up a little - as many of you know, I started on YouTube in July of 2013, but I had begun writing about music a good two years earlier, first on Facebook and in 2012 on my personal blog, where I started by assembling my list of the top ten best hit songs of 2012. And while I've made reference to that year on Billboard BREAKDOWN and in year-end lists, I've never actually converted that list to video, which is what I'm going to be doing today... with a twist. See, my opinions have evolved and changed over the past six years and I figured it wouldn't be a bad step to revisit the year-end Hot 100 of that year and see if my greater critical acumen and hindsight had shifted my opinion... and while for the most part it hasn't, I am going to making a few changes from that original list, so there's no guarantee you'll know what shows up here.

But if there is one thing that has been solidified by this relisten, it's that 2012 stands head-and-shoulders above the majority of this decade with some of the best hit songs of the 2010s. Pop was still riding out the club boom to a fair amount of success, country was only in the early years of the growth of bro-country and landed some real quality on the charts, R&B was notching some genuinely forward-thinking tunes, and hip-hop... okay, maybe more of a transitional year overall, but there were highlights. But what makes the 2012 chart so vibrant was the indie boom, a flashpoint of out-of-nowhere crossovers from indie folk, pop and rock that for a brief shining moment redefined what a hit could be in the mainstream. And while it's dispiriting how much of it would fizzle away in the coming year - and indeed, if we're looking at a theme for this list it would be high points of potential never quite achieved again - it still left us with a list of tracks where I actually had to cut some great songs, something you can't say about years like, say, 2016. So as always, the rules are that the song must debut on the year-end Hot 100 in this year, and let's get started with...

Tuesday, October 17, 2017

the top ten best hit songs of 2010 (VIDEO)


I'm so damn glad this turned out as well as it did, especially as I had to re-edit to avoid the damn copyright bot. In any case, thank you all for watching and subscribing, I dearly appreciate it!

Friday, October 13, 2017

the top ten best hit songs of 2010

I have to admit, when I first added the highest tier option to include requests for a top ten list, I had no idea what was going to be requested. Opening up the vast decades of Billboard history meant this could go in any direction, and that could mean a wealth of new discoveries. And thus our first Patreon request is for the best hit songs of... 2010.

Monday, April 28, 2014

video review: 'pop psychology' by neon trees


Oh, I bet I'm going to get some hatred for this - which will be frustrating, because I still really do like this band. Eh, what can you do.

Next up, I finally tackle Ronnie Dunn before moving onto the May releases. Stay tuned!

album review: 'pop psychology' by neon trees

Here's one of the funny quirks about pop music, especially about artists who don't chart many hits: said artists will only typically be remembered for the element that stands out the most, which can often be a radically unfair definition of the band's content. And thus when the Neon Trees' singles 'Animal' and 'Everybody Talks' charts highly in 2010 and 2012 respectively, the popular consciousness is that they were a indie pop rock act who wrote plenty of songs about getting laid with almost naively teenage brand of kitsch.

And speaking as a fan of the band who really likes both Habits and Picture Show as pop albums, I can say this definitively: that's all they do. They might switch up their style from clattery late-70s/early-80s retropop to Depeche Mode-reminiscent icy synthpop, but Neon Trees almost exclusively write about songs about hooking up and having sex, or being frustrated that they aren't having sex. It's the sort of straightforward narrow-minded pursuit that can straddle the line between embarrassingly cheesy and more than a little unsettling, and this caused some critics to brand the band as one-dimensional.

That honestly strikes me as a little unfair, because Neon Trees have tried to switch up the formula across many genres of pop rock, past and present, with varying degrees of success. Personally, I think they score the most points with the committed embrace of ridiculous retro-70s cheese that worked so well for The Killers and Franz Ferdinand, but on their 2012 album there were attempts to go for darker, late 80s-inspired synthpop and darkwave tones with mixed results. What concerned me most about the Neon Trees is that the frenetic edge of their sound was slowly falling away in favour of glossier music, and while they did have a grasp of solid melodies, they might lose of their flavour, especially considering retro-disco pop returned to the charts last year and doesn't seem to be leaving any time soon. And considering I wasn't exactly blown away by their lead-off single 'Sleeping With A Friend', I was a little worried to dig into their newest album Pop Psychology. Was I worrying for nothing, were my fears unfounded?

Tuesday, December 25, 2012

the top ten best hit songs of 2012

I've got to be honest here - when I wrote about the worst songs of 2012, I couldn't write about them all in one sitting. And it wasn't just because it was long and I needed a break - it was more because I got some damn depressed trying to parse my way through the worst of 2012's pop music that I needed some kind of break - any kind of break - just to reinvigorate my spirits.

Fortunately for me, I don't think I'll have that much of a problem here, because today we're going to look at the best of 2012 - which, if I'm being completely honest, was a really great year for the pop charts. It's not hard to see why, particularly if you look at the year in context with 2011. I've written before on the twin axes of pop music (here, if you're curious), which are maturity and intelligence. And while material tends to travel up and down these 'axes' in parallel, the collapse of club music in 2011 showed the first sign of a divergence in the pop music scene: music that was mature and intelligent, and music that was immature and stupid. 

Now, let me make this absolutely clear: you can have great pop music that is both immature and stupid, but in general, you tend to see greater quality, innovation, and interesting breakthroughs with music that's smarter and more mature because the subject area is broader and the people crafting the music tend to be more insightful. And I'm not confining this to genre either: just because an act is country or crunk doesn't mean they don't have some wry intelligence, and just because an act is indie rock doesn't mean they're all that deep or insightful or mature.

And since I'm a fan of great pop music, I was thrilled to see this axis divergence, and even more thrilled to see a ton of great pop music spring up from the doldrums of the club music scene. And as much as I'd like to shout praise to the heavens for the indie rock explosion that saw plenty of extremely solid acts rocket to the top, I can't help but acknowledge that there were great country, hip-hop, rap, and even mainstream pop acts that surprised me with their quality.

But before I get in all that deep into the material from this year, let's quickly revisit my list of best hit songs from 2011:

10. 'Jar Of Hearts' by Christina Perri
9. 'Fucking Perfect' by Pink
8. 'Coming Home' by Diddy - Dirty Money ft. Skylar Grey
7. 'All Of The Lights' by Kanye West
6. 'The Show Goes On' by Lupe Fiasco
5. 'You And I' by Lady Gaga
4. 'Fuck You' by Cee Lo Green
3. 'Rolling In The Deep' by Adele
2. 'Someone Like You' by Adele
1. 'Colder Weather' by The Zac Brown Band

And, as usual, upon reflection, I'd probably make a few changes to this list:


10. 'Jar Of Hearts' by Christina Perri 'Stereo Hearts' by The Gym Class Heroes ft. Adam Levine
9. 'Fucking Perfect' by Pink 'Back To December' by Taylor Swift 
8. 'Coming Home' by Diddy - Dirty Money ft. Skylar Grey 'Blow' by Ke$ha
7. 'All Of The Lights' by Kanye West
6. 'The Show Goes On' by Lupe Fiasco
5. 'You And I' by Lady Gaga
4. 'Fuck You' by Cee Lo Green
3. 'Rolling In The Deep' by Adele
2. 'Someone Like You' by Adele
1. 'Colder Weather' by The Zac Brown Band

Huh, not that many changes, really. Part of that is an indictment on how great all of these songs are, but part of it is also the fact that all of these songs represented the best of their genres and the best of growing trends on the charts. 

And if I'm being completely blunt, I don't know what part of my mind thought it was a good idea to put both 'Jar Of Hearts' (a song I've really soured on in recent months) and 'Fucking Perfect' (which has worn out a fair bit of its welcome) on the list, and it wasn't hard to swap them out for 'Stereo Hearts' (a song that grew on me due to some clever metaphors and an incredibly catchy chorus courtesy of Adam Levine at his best) and 'Blow' (a song that has problems, to be sure, but builds surprisingly well and is punchy enough to be a damn great dance/work-out track). And really, 'Coming Home' isn't a bad track in the slightest, but 'Back To December' is really so much better, and probably Taylor Swift's best song by far.

And with that, let's proceed to 2012, and some Honourable Mentions: