the top ten best hit songs of 2011 (VIDEO)

And here we are - great list to put together, really happy y'all seemed to enjoy watching it, and it's the last of the retro lists finished for the 2010s!

Next up, I've got an episode of Resonators coming so stay tuned!

the top ten best hit songs of 2011

You know, I've said a number of times that my favourite lists to make are the top ten hits of any respective year, mostly because I have peculiar taste when it comes to my favourites and any chance to compliment songs people have actually heard... well, it's a nice boost. And once this is done - and with the exception of 2019 - I will have created these top tens for every year in the 2010s, and given that seemingly everyone is doing a retrospective, it does feel nice to place everything back in context.

But really, if you're examining 2011 in any way, shape, or form, it's a year that defies easy contextualization. Generally a really good year - although I still give a slight edge to the best of 2012 and 2015 - but not one that seemed to fit with any specific trends or sounds. If anything, it felt more like a year dominated by personalities, from the dueling pop divas to the rise of Adele's thunderous 21, an album that seemingly defied all expectations with its success. Yeah, rock was kind of non-existent on the Hot 100 - and you could argue hip-hop was kind of a mixed bag sliding through transition from the club boom - but between pop, soul, R&B, and a surprisingly bright year for country, there was a lot to like about 2011. More importantly, it was a year where the great songs were consistently great, where I didn't even have much difficulty filling out a solid - albeit surprising - list of Honourable Mentions. As always, the songs had to debut on the Billboard Hot 100 year-end list in 2011 to qualify, so let's get things started with...

the top ten best hit songs of 2009 (VIDEO)

Yeah, about time I got this done - enjoy!

the top ten best hit songs of 2009

So I'll admit to being surprised that this, of all things, is the next top ten people want me to cover. You'd think folks would want me to finish off the 2010s proper before going back to 2009, but there you have it.

But I get it, because while I'd struggle to call it the best of the 2000s, 2009 was a pretty glorious year. Not only did it showcase the birth of YouTube chart criticism, but it was such a potent year to cover! 2009 is widely accepted by most as the birth of the club boom, where the kinetic, rock-tinged pop of the mid-2000s picked up more layers of glitter and went to party hard, picking up a grabbag of whatever hip-hop had survived the ringtone era, whatever rock that was willing to party, and basically lock the placid country scene out of the clubhouse entirely. More to the point, it was impossible to not see 2009 as a year of reckless abandon: the economy had crashed, most of my generation was broke, and if we we didn't have money, we were going to party as if we did - it might have seemed bleak, but I think a lot of us were riding the contact high that came from a new president and a desperate desire to believe in hope... even if that contact high would lead to incoherent silliness and a hangover we'd only halfheartedly regret. But I'll say this: even if I've slowed down a little bit, it's hard not to miss the manic fun of this year, especially when there were so many great hits, so let's get things started with...

the top ten best hit songs of 2004 (VIDEO)

Well, this was long in coming... and overall, a pretty solid list. Not sure it's my wittiest list, but for those of you who remember the era, I think it works.

Next up, Black Panther and Wade Bowen, so stay tuned!

the top ten best hit songs of 2004

So this is the third big top ten outside of the current year that I've put together, and I think it's conducive to describe how this year differed in trends and sounds in comparison with those I discussed before. 2010 was at the height of club boom overexposure, and everything that charted, good or bad, was either informed by it and painfully dated, or ignoring it and sliding rapidly towards novelty. 1967... well, that was a year heralded by many as overstuffed with classic songs, but you could make a credible argument it was an 'off' year for many established greats, more transitional than anything else.

2004, meanwhile, has some elements of both. On the one hand, the charts were very much in the throes of the crunk explosion, but by proxy it was heralding hip-hop's utter dominance of the Hot 100. Yes, in 2004 indie rock was blowing up like you wouldn't see again for nearly a decade - most of which would hit the charts a year later - but 2004 hit the sweet spot where the kinks of southern hip-hop were getting ironed out and allowing for more diversity beyond New York and L.A.. And that was only a good thing, as 2004 was a huge breakthrough year for a number of acts that are now touted today with a ton of critical acclaim, either for landmark debuts or critical highpoints they'd seldom if ever reach again. And when you tack on the fact that pop rock was beginning its own rise, country hadn't started sliding to vapidity, and R&B was holding its own. The only genre that seriously suffered was mainstream pop, but that's more because hip-hop crossovers were doing it so much better, and when you consider that it really didn't have the stark lowpoints of, say, 2007, you can make a very credible argument that 2004 was one of the best years of the 2000s, at least for the Hot 100. And I can't even really say it was colored hugely by my nostalgia - yeah, I know and like a ton of this Hot 100, but it's hard to deny in a year flush with the debuts of Kanye West and Maroon 5, Usher's best album, Alicia Keys' best album, plus high points for Avril Lavigne and OutKast that we got something really special in 2004. And if you think that spoiled a lot of my list... well, maybe a bit, but you haven't seen nothing yet, so let's get this started!

billboard BREAKDOWN - hot 100 - december 10, 2016 (VIDEO)

So this video was longer than usual... and actually really great, I dug the hell out of this! Two good weeks in a row... man, if only I had any hope we could keep this up, 2017 has some real potential to be a damn good year.

In the mean time, let's take care of old business next, shall we? Stay tuned!

billboard BREAKDOWN - hot 100 - december 10, 2016

So this week was a little weird. Not just because we started getting tracks from The Weeknd earlier than expected - I'm imagining next week to be just overloaded - but we got some big surprises all over the place, including a few artists I have not thought about or talked about in years. That, at the very least promised to make things interesting - note that I didn't precisely say good, although there really was some promise here.

VACATION SERIES - album review RECAP

Well, this finally happened. Long video to render, which is giving me the unsettling feeling that my computer is finally starting to give out on me - not a good sign, but given the problems I've been having with the processors, it's only a matter of time. Plus, in the meantime I've got so many reviews to cover before next weekend...

Eh, Billboard BREAKDOWN is next, followed by Travi$ Scott, Isaiah Rashad, Angel Olsen, De La Soul... suffice to say, I have a lot to cover, so stay tuned!

video review: 'glory' by britney spears (VACATION REVIEW!)

Well, this was mostly lousy. I don't know how anyone can defend some of the godawful vocal production here, but hey, what do I know, somehow her career keeps on going... although I really don't see the single longevity to push out with this.

So let's switch to something just as interesting with the Glass Animals and Lydia Loveless, so stay tuned!

billboard BREAKDOWN - hot 100 - august 6, 2016 (VIDEO)

Well, this was an interesting week. I wouldn't quite call it a great one, but overall pretty solid.

Next up, we hit Chicago with Dreezy and Jamila Woods, so stay tuned!

billboard BREAKDOWN - hot 100 - august 6, 2016

And just like that, the summer lull gets burst wide open, and there's a part of me that couldn't be happier. Yeah, I could definitely raise questions about why - to say nothing of the viability of both the new songs and the new #1 that did it - but I have to admit, the past few weeks have been so stagnant that there's a part of me that's thrilled there's change at all!

the top ten worst hit songs of 2008 (VIDEO) (ft. thedoubleagent)

Well, this happened. This is why there was a bit of a drought of videos at MAGFest a few weeks back, I was working on this! Thanks a lot to Ethan for joining me here, it was a ton of fun!

Unfortunately, the second review going out is far worse... so stay tuned...

billboard BREAKDOWN - hot 100 - may 23, 2015 (VIDEO)

Well, I guess I needed that bit of extra sleep, because I was preparing to do this last night and instead passed out damn near instantly.

Eh, whatever, it happens. Next up, I think I have one last artist in my backlog, and then back to our regularly scheduled programming, so enjoy!

billboard BREAKDOWN - hot 100 - may 23, 2015

So after last week, I was hoping for a bit of a breather this week – and believe it or not, I got it. After the storm comes a sort of calm, and we might have one of the least active weeks of the year thus far, thanks the album release schedule slowing down to give us all a breather. And considering I used most of this week to catch up on releases I wouldn’t have otherwise covered, it’s kind of nice that Billboard BREAKDOWN also feels a little easier.

the top ten worst hit songs of 2013 - video

First list finished! Next up, the top ten best hit songs of 2013 - stay tuned!

the top ten worst hit songs of 2013

It's that time again.

Yes, ladies and gentlemen, it's that time of year where I take a look at the biggest hit songs of the year and pick out the top ten best and worst to the complete indifference of artists, producers, and fans alike! Sounds like fun, eh? Okay, let's get started, and I think the prime place to begin is at the absolute bottom: the top ten worst hit songs of the year.

First, some ground rules. For one, a song will only ever make the list if it debuted on the Billboard Hot 100 Year-End chart this year. Of course there are holdovers I dislike from last year, but they had their chance to pop up on my 2012 list (which is available here). And I'm only choosing songs from this list - of course there were worse tracks that I covered in my album reviews, but I want to make the point that not only are these songs terrible, they're also impossible to escape throughout the year.

And here's another thing to keep in mind: for a song to reach my list, it has to actively annoy or irritate me, and simply being boring is often not enough to propel a song into my line of fire. The year-end charts are less aggressively bad than they are boring, and this year had that problem more than previous years, mostly because the indie boom lost momentum and mainstream radio had no idea what to replace it with. That means large tracts of this year were dominated by easy listening slow jams, interchangeable EDM, increasingly listless hip-hop, and a disco revival that came out of nowhere. 

But that's not saying there weren't songs that pissed me off, so let's begin by tackling some Dishonourable Mentions, shall we?

video review: 'britney jean' by britney spears

Forgot to post this last night. Kind of irrelevant, though, because the album sucks.

Next up will be 'Days of Gold' from Jake Owen, and then hopefully I can tackle whatever's left in my backlog before the December glut in a few days. Stay tuned!

album review: 'britney jean' by britney spears

Throughout this year, I've gone on at great length regarding scope for certain acts, knowing one's limits and how to position an artistic work with respect to those limits. A bit of an odd topic, I'll admit, but it holds a surprising amount of relevance when it comes to pop music, and over the past few years, I've found that the best pop albums come from artists knowing their limits and pushing towards them, or even finding ways to extend them. And hell, even serviceable pop albums can be made by staying within those limits and carefully fine-tuning the little details. But if the artist or their handlers don't know these limits, sometimes you can run into serious trouble and the mainstream audience isn't quite as ignorant as some record executives think they are.

Take, for instance, Katy Perry's Prism. Now, I wasn't particularly kind to that album: the lack of strong hooks, the instrumentation cribbed from a half-dozen better acts, and the occasionally inexplicably bad songwriting were bad enough, but looking, my biggest issues were that Katy Perry was trying to make an album with more resonant emotional depth, and she didn't quite have the songwriting skill or emotional range to pull it off. Let's face it, Katy Perry has two modes where she's solid as a performer: enthusiastic sex kitten and on the verge of emotional collapse. Outside of those modes, she either comes across as obnoxious or aggressively bland, and writing semi-spiritual songs just didn't sound natural for her. 

But perhaps I should have been grateful, because when I heard that the newest album from Britney Spears would be her most 'personal album to date', I steeled myself for the worst. Look, I've never been the biggest fan of Miss Spears over her decade long career, but I'll acknowledge she has put out some good, possibly even great songs - but 'depth' and 'personality' have never been a part of her vocabulary or arsenal. While Katy Perry can at least say she has two modes of performance, Britney Spears arguably has one: cooing sex kitten. The fact that her songwriters and handlers slammed her into this role at an incredibly young age and were incredibly poor at managing the fallout of it throughout the mid-2000s really does make me feel sorry for her, and the fact that so much of her career and life has become a walking spectacle beyond her control is kind of heartbreaking. But I'm a music critic and I put aside Miley's baggage when I reviewed Bangerz, and when I go back through Britney's discography... look, it's a miracle her career lasted as long as it did. Her albums have never received critical acclaim or have ever been cohesive, she's not a great singer on record or live, and her songwriters made the choice long ago that all she should sing about is sex. And when she sticks to that mold, she can be enjoyable.

But, to be fair, the few points where vulnerable elements of Britney's personality have shone through have been good moments: hell, her song 'Lucky' probably remains my favourite of her hits simply because of how eerily prophetic it turned out to be, and that wasn't a sex jam at all. So maybe I misjudged Britney, and I gave her newest album a listen: how did it go?