Showing posts with label †††. Show all posts
Showing posts with label †††. Show all posts

Friday, February 14, 2014

video review: '†††' (crosses)' by ††† (crosses)


Okay, my schedule got busy in a hurry, but I wanted to get this out. 

Next up... well, Cynic, Beck, and Frankie Ballard. Not quite sure about the order, but stay tuned all the same!

album review: '†††' (crosses)' by ††† (crosses)

Let's briefly talk about nu metal. Born in the early 90s but exploding in the latter half of that decade, it was a genre I only happened to listen to in retrospect years after its popularity crashed, taking its rock-bottom reputation with it. Widely considered by metal purists to be a mainstream sell-out branch of 'real' metal, it's a genre that tends to inspire a lot of negative comparisons - and while there is some material of quality if you look for it, there isn't much. And while I tend to be more forgiving of nu metal than some critics, the lack of authenticity and texture in their instrumentation combined with atrociously whiny lyrics and a meatheaded attitude tended to set my teeth on edge. At least when hair metal or crunk got sleazy and borderline misogynist it sounded attractive and fun, while nu metal was content to wallow in misery - and since I never had an 'angry white boy' phase, I can't take it remotely seriously.

And the depressing fact is that I think it might be coming back. Though I didn't review Of Mice And Men's most recent album Restoring Force (I didn't feel I knew enough metalcore to give the band an objective opinion, but overall I was meh on it), I definitely heard plenty of the hallmarks of nu metal on that album. And combined with new acts like Emmure and Hollywood Undead, and the popular revival of acts like Korn and Staind and Limp Bizkit (God help us all), I get the unpleasant feeling we haven't seen the last of this genre.

But here's the somewhat ironic fact: nu metal's worst critics tend to be former nu metal artists, and this takes us to Deftones and lead singer Chino Moreno. Deftones has a better reputation than most nu metal acts, mostly because they were a bit more abstract in their lyrics and they jumped off the bandwagon faster towards the alternative metal/post-metal scene. I've never really been a Deftones fan, but the critical acclaim the band has received was enough to get me to look into the debut album from Chino Moreno's side project Crosses, with promises that it was melodic and thoughtful in comparison to his work with Deftones, leaning instead towards electronic rock. Did those promises follow through?