video review: 'providence canyon' by brent cobb

So this was pretty cool - it's pretty niche and probably won't be for everyone, but still worth a listen or two, definitely check it out!

Next up... hmm, something from my backlog, I think, so stay tuned!

album review: 'providence canyon' by brent cobb

So I'll admit I regret not talking about Brent Cobb sooner - but in all due fairness to myself, I can imagine a lot of folks maybe overlooking him. The cousin of acclaimed indie producer Dave Cobb, he got the attention of the indie country scene by satirizing bro-country in 2015 with 'Yo Bro', but he came to much greater attention thanks to his appearance on the compilation Southern Family, which remains one of the best records of the 2010s and one of the few I've ever given a perfect score. And yet even with that, Brent Cobb seemed to slide into the background: I really liked his detail-rich, earthy songwriting, but they guy had the misfortune of being placed in the track order between Jason Isbell and Miranda Lambert, who delivered much more impressive songs.

But in digging into his 2016 album Shine On Rainy Day, I came to realize that unassuming, low-key charm was less a bug and more a feature of Brent Cobb - primarily acoustic, with the sort of roughscrabble detail and texture in his lyrics that reward repeated listens to really sink into the vibe. And 'vibe' is a key qualifier, because while there are a few exceptions like the excellent 'South Of Atlanta' and 'Let The Rain Come Down', that record was perhaps a little too low-key for its own good - comfortably riding the firm bass, hints of smokier guitars and rich acoustic warmth to really kick up a groove, the sort of background music that brought a ton of welcome texture and would definitely be an underrated gem for folks who like indie country, but amidst an avalanche of excellent country in 2016, it's no surprise it might have faded to the background. 

Well, that's not quite the case in 2018, and if the buzz was true and Cobb has cranked up the tempos to lean into the southern Georgia funk influences that had been lurking beneath his sound for some time, we could have something pretty unique and interesting here, so what did we get on Providence Canyon?

album review: 'southern family' by dave cobb & various artists

This has easily been my most anticipated record of 2016. And to explain why, we need to go back to 1978 and an independent country release called White Mansions. Written by singer-songwriter Paul Kennerley, it was the rarest sort of release in country music: a narrative-driven concept album containing multiple artists each playing a distinctive part. This was in the height of the outlaw movement, and as such recruited artists like John Dillon, Steve Cash, Jessi Colter, and Waylon Jennings himself, even pulling on Eric Clapton to play guitar on a few tracks. And while the tighter budget definitely shows at a few points, the ambition was unmistakable: this was the story of the Civil War from the South's point-of-view, but pulled zero punches about the roots of the conflict and the deep, lingering scars left on the American psyche, especially in the South. I can say bluntly that the political fallout would make such a record impossible to make today - and I can say without hyperbole that it is a classic country album, and if you're lucky enough to find a copy, I can't recommend it highly enough.

So why is any of this relevant? Well, if you've been watching the resurgence of outlaw country around the edges of Nashville, you shouldn't even be surprised. Over the past two to three years and the increasingly sterile and meat-headed modern country scene, the independent country scene has expanded like never before. Part of this is the rise of the Internet allowing local acts to gain groundswell, but at the epicenter is one incredibly gifted producer whose hands have touched most of the best country records of the past several years: Dave Cobb. Now I've raved about this guy a number of times on my channel - and if you know his production background you'll understand why - but what you probably don't know is his work behind the scenes, becoming the new caretaker of the legendary Studio A in Nashville and establishing his own publishing imprint, which gives him the ability to foster greater talent. Of course, it's also helped matters that he's produced some of the biggest indie country albums of the past few years, from Sturgill Simpson to Jason Isbell, from Lindi Ortega to the Grammy-winning debut album from Chris Stapleton.

And all of this has given him the clout and budget to pursue the sort of passion project country fans don't dare to dream about: a concept record inspired by White Mansions with the sort of line-up that would seem impossible. Let's run through the list: Jason Isbell, Chris and Morgane Stapleton, Jamey Johnson, Brandy Clark, Holly Williams, Brent Cobb, Anderson East, Shooter Jennings, John Paul White formerly of the Civil Wars, Rich Roberson of the Black Crowes, and not to completely exclude the mainstream, Zac Brown and Miranda Lambert. This is an Ayreon project for country music from one of the best producers in the industry, which meant that while this is my most anticipated project of 2016, it was also the one where I had the highest of expectations - could Dave Cobb pull this off?