the top ten best hit songs of 2012 (REDUX) (VIDEO)

ABOUT FUCKING TIME I GET THIS DAMN THING OUT...

And now to get back on schedule. Lots to do, folks, stay tuned!

the top ten best hit songs of 2012 (REDUX)

So this top ten list is going to be a little different than the previous few I've put together - mostly because I've made it before.

So let's back up a little - as many of you know, I started on YouTube in July of 2013, but I had begun writing about music a good two years earlier, first on Facebook and in 2012 on my personal blog, where I started by assembling my list of the top ten best hit songs of 2012. And while I've made reference to that year on Billboard BREAKDOWN and in year-end lists, I've never actually converted that list to video, which is what I'm going to be doing today... with a twist. See, my opinions have evolved and changed over the past six years and I figured it wouldn't be a bad step to revisit the year-end Hot 100 of that year and see if my greater critical acumen and hindsight had shifted my opinion... and while for the most part it hasn't, I am going to making a few changes from that original list, so there's no guarantee you'll know what shows up here.

But if there is one thing that has been solidified by this relisten, it's that 2012 stands head-and-shoulders above the majority of this decade with some of the best hit songs of the 2010s. Pop was still riding out the club boom to a fair amount of success, country was only in the early years of the growth of bro-country and landed some real quality on the charts, R&B was notching some genuinely forward-thinking tunes, and hip-hop... okay, maybe more of a transitional year overall, but there were highlights. But what makes the 2012 chart so vibrant was the indie boom, a flashpoint of out-of-nowhere crossovers from indie folk, pop and rock that for a brief shining moment redefined what a hit could be in the mainstream. And while it's dispiriting how much of it would fizzle away in the coming year - and indeed, if we're looking at a theme for this list it would be high points of potential never quite achieved again - it still left us with a list of tracks where I actually had to cut some great songs, something you can't say about years like, say, 2016. So as always, the rules are that the song must debut on the year-end Hot 100 in this year, and let's get started with...

billboard BREAKDOWN - hot 100 - may 9, 2015 (VIDEO)

Man alive, this week sucked. 

Okay, crazy weekend ahead of me in RL, but I'm going to try to get at least one review out. Stay tuned!

billboard BREAKDOWN - hot 100 - may 9, 2015

So here's the odd thing - remember when I said last week that the charts tend to become more unstable when there's a big change at the top, as the old hit tumbles and plenty other songs jockey for its place? Well... that's not really happening, and from what I dug up this week, it lends all the more evidence to the fact that if 'See You Again' hadn't shown up, 'Uptown Funk' would have broken 'One Sweet Day's record, or at least would have gotten a lot closer. As it was this week, it was all about what song would manage to make that big push... and the push didn't happen yet. Meanwhile, a bunch of songs fell off the charts because of longevity and were mostly replaced by... well, you'll see.

album review: 'strange desire' by bleachers

I've made it no secret that I'm a fan of the indie rock act fun., who came into sharp prominence in the mainstream thanks to a lucky Glee collaboration and three killer singles. Now I'm a fan of fun. for a number of reasons, and I'd make the argument their best songs likely came on Aim & Ignite the album before Jeff Bhasker got his hands on their mixes and amped the bombast to eleven and made the Queen parallels all the more stark. And sure, it was cheesy and utterly ridiculous, but there was a certain pop grandeur to their material that always underscored their material, an earnest sincerity that belied their killer melody lines and Nate Ruess' impressive voice.

But here's the funny thing about indie rock acts: most, if not all of the band members typically have at least one or two side projects running simultaneously, especially when they're hoping for that next mainstream crossover hit. And fun. is no exception, and while many pegged Nate Ruess as the breakout star as the frontman, I made sure to take notice when I heard about Bleachers the solo side project of Jack Antonoff, the lead guitarist of fun. and a contributing songwriter for Tegan & Sara, Christina Perri, and Sara Bareilles. And when I heard that he had managed to rope in Grimes and Yoko Ono to boost his indie cred, I figured the debut album was at least worth a few listens. Was I right?

the top ten best hit songs of 2013 - video

So this turned out as well as I expected. List 2/4 done, stay tuned for more!

the top ten best hit songs of 2013

Here's a fun fact about me - as much as I nitpick and criticize and say all manner of things people don't want to hear about the music they love, I've got my own fair share of popular music that I cherish, appreciate, or outright love. Sometimes, quality rises to the top, and while none of this particular list will show up on my upcoming list of the best songs of this year, I still think they're worth mentioning if only to reinforce some vague sense of populism that I have. But really, it's nice to point out that some mainstream music gets popular because it's good, and sometimes pop or country or mainstream hip-hop can be just as good as the most underground of indie hits.

Now the rules are as before: the songs have to debut on the Billboard Hot 100 year-end chart this year - so as good as 'Die Young' by Ke$ha or 'Some Nights' by fun. are, I can't exactly mention them again on this list after they made my list last year. And on that note, don't expect any sort of coherent theme to these picks. While my year-end worst list had an abundance of terribly vapid luxury rap (especially near the top), on a year as varied and confused as the 2013 chart would indicate, my choices might surprise you. And fair warning: you won't agree with the majority of this list.

So let's get started with some Honourable Mentions, shall we?

the top ten best hit songs of 2012

I've got to be honest here - when I wrote about the worst songs of 2012, I couldn't write about them all in one sitting. And it wasn't just because it was long and I needed a break - it was more because I got some damn depressed trying to parse my way through the worst of 2012's pop music that I needed some kind of break - any kind of break - just to reinvigorate my spirits.

Fortunately for me, I don't think I'll have that much of a problem here, because today we're going to look at the best of 2012 - which, if I'm being completely honest, was a really great year for the pop charts. It's not hard to see why, particularly if you look at the year in context with 2011. I've written before on the twin axes of pop music (here, if you're curious), which are maturity and intelligence. And while material tends to travel up and down these 'axes' in parallel, the collapse of club music in 2011 showed the first sign of a divergence in the pop music scene: music that was mature and intelligent, and music that was immature and stupid. 

Now, let me make this absolutely clear: you can have great pop music that is both immature and stupid, but in general, you tend to see greater quality, innovation, and interesting breakthroughs with music that's smarter and more mature because the subject area is broader and the people crafting the music tend to be more insightful. And I'm not confining this to genre either: just because an act is country or crunk doesn't mean they don't have some wry intelligence, and just because an act is indie rock doesn't mean they're all that deep or insightful or mature.

And since I'm a fan of great pop music, I was thrilled to see this axis divergence, and even more thrilled to see a ton of great pop music spring up from the doldrums of the club music scene. And as much as I'd like to shout praise to the heavens for the indie rock explosion that saw plenty of extremely solid acts rocket to the top, I can't help but acknowledge that there were great country, hip-hop, rap, and even mainstream pop acts that surprised me with their quality.

But before I get in all that deep into the material from this year, let's quickly revisit my list of best hit songs from 2011:

10. 'Jar Of Hearts' by Christina Perri
9. 'Fucking Perfect' by Pink
8. 'Coming Home' by Diddy - Dirty Money ft. Skylar Grey
7. 'All Of The Lights' by Kanye West
6. 'The Show Goes On' by Lupe Fiasco
5. 'You And I' by Lady Gaga
4. 'Fuck You' by Cee Lo Green
3. 'Rolling In The Deep' by Adele
2. 'Someone Like You' by Adele
1. 'Colder Weather' by The Zac Brown Band

And, as usual, upon reflection, I'd probably make a few changes to this list:


10. 'Jar Of Hearts' by Christina Perri 'Stereo Hearts' by The Gym Class Heroes ft. Adam Levine
9. 'Fucking Perfect' by Pink 'Back To December' by Taylor Swift 
8. 'Coming Home' by Diddy - Dirty Money ft. Skylar Grey 'Blow' by Ke$ha
7. 'All Of The Lights' by Kanye West
6. 'The Show Goes On' by Lupe Fiasco
5. 'You And I' by Lady Gaga
4. 'Fuck You' by Cee Lo Green
3. 'Rolling In The Deep' by Adele
2. 'Someone Like You' by Adele
1. 'Colder Weather' by The Zac Brown Band

Huh, not that many changes, really. Part of that is an indictment on how great all of these songs are, but part of it is also the fact that all of these songs represented the best of their genres and the best of growing trends on the charts. 

And if I'm being completely blunt, I don't know what part of my mind thought it was a good idea to put both 'Jar Of Hearts' (a song I've really soured on in recent months) and 'Fucking Perfect' (which has worn out a fair bit of its welcome) on the list, and it wasn't hard to swap them out for 'Stereo Hearts' (a song that grew on me due to some clever metaphors and an incredibly catchy chorus courtesy of Adam Levine at his best) and 'Blow' (a song that has problems, to be sure, but builds surprisingly well and is punchy enough to be a damn great dance/work-out track). And really, 'Coming Home' isn't a bad track in the slightest, but 'Back To December' is really so much better, and probably Taylor Swift's best song by far.

And with that, let's proceed to 2012, and some Honourable Mentions:

album review: 'warrior' by ke$ha

I remember hearing 'Tik Tok' in late 2009 and hating it.

I'm not joking here. Throughout 2010, I distinctly remember despising Miss Kesha Rose Sebert, known only by her stage name Ke$ha. I thought the autotune was gratuitous, I thought her lyrics were beyond asinine, I thought her beats were processed, obnoxious sludge, I thought her vocal style was designed to piss off everyone who heard it. In short, I thought she was the worst possible product of the pop machine, the talentless pop starlet that is made by producers. And considering she was one of the potent forces of the club music boom, particularly on the charts, I was horrified by the fact that not only was Ke$ha not going away, but there was going to be a legion of imitators. 

But perhaps the thing that infuriated me the most was the theme behind her music, the one promoting the debauched lifestyle of drunk obnoxious sorority girls, devoid of class and responsibility. And considering how much I went to clubs in 2010 and how much I was exposed to this sort of music, it was an opinion that became pretty solidly ingrained in my consciousness.

But in mid-2011, I started reading reviews of Ke$ha's albums - and much to my appalled horror, they were positive reviews. I didn't get it - I mean, how could anyone like this or tolerate it beyond the shallow standards of party music? So, convinced of my own rightness, I downloaded both of Ke$ha's albums (Animal and the EP Cannibal), and I started to do my research on the girl.

I learned that she has a major hand in writing her own songs - which surprised me, but wasn't exactly evidence for her redemption either. I learned that her mother also helped her write songs - and that her mother had been a songwriter for Johnny fucking Cash. I learned that Ke$ha primarily drew her inspiration from bands like Iggy Pop & the Stooges and the Beastie Boys and Beck - and I thought well of course she says that, why wouldn't she?

But then I found out some other interesting things. I found out that she actually shows much better in pictures and in video than in real life, and that she grew up very poor, with no idea who her real father was. I learned she was an outcast throughout school, basically due to her general weirdness and unconventionality. I learned that she had aced her SATs, that she was actually intelligent, far smarter than what her music indicated. And then I learned that in order to do her legendarily terrible live performances, she had to either be drunk off her ass or coked out of her mind. That, in some way, she was dumbing herself down for her material.

And then I took a closer look at Animal and Cannibal, and listened through them a few more times... and about in May 2011, I finally got it - and very quickly, Ke$ha became one of the few pop stars I actually liked.