I've mentioned in the past that when I leaped from pop music into symphonic metal in my teens, I primarily listened to acts like Blind Guardian and Nightwish, at least initially. But it wasn't long before I discovered the act that was often considered Nightwish's primary competitor in the realm of symphonic metal, as they both started in the same year and had uncannily similar album release schedules.
That band was Within Temptation, a band I've consistently liked for the past decade and one that I've always held up as the necessary rational counterpart to Nightwish's turbulent insanity. Where Nightwish dove into wildly imaginative yet bloated excess, Within Temptation toed the line a little closer to the mainstream with tighter lyrics and riffs, Sharon den Adel's beautiful vocals, and a sound that would be more easily accessible from the crowd that took the wary step away from Evanescence into something heavier (and eons better).
And yet, as much as I like Within Temptation's consistent high quality, they aren't a band that has ever surprised me, and they've only had moments of pure transcendent awesomeness. Don't get me wrong, all of their albums are definitely worth your time, but as a band I wouldn't quite say they've stepped out of their comfort zone - heavy enough to be considered metal, but not too heavy or weird enough to be inaccessible to a casual fan. In fact, if you're looking for a great entry point for symphonic metal, Within Temptation would be a fine start, but on the other hand, while lead singer Sharon den Adel might have begun her career collaborating with Arjen Lucassen (of Ayreon), her most recent release prior to this was an album of metal covers of pop and rock songs that included David Guetta, Bruno Mars, and Enrique Iglesias.
And thus, I was skeptical going into their most recent album Hydra. I did like their previous major release The Unforgiving, an attempt at a pulpy urban fantasy tale than worked more often than it didn't, but the delays and bizarre list of collaborators on this album gave me a fair bit of pause. And while some were saying Within Temptation was returning to their 'heavier' roots and showing 'the many different sides of their music', I had to wonder that at what point would Within Temptation lose all their unique personality altogether. I prayed for the best, but I expected the worst - what did I get?