Saturday, January 10, 2015
billboard BREAKDOWN - hot 100 - january 17, 2015
So once again this week we're dealing with the last fragments of 2014, even as the new hits of 2015 begin to rise up the charts. And yet even despite the turnover to a new #1 - trust me, we'll get to it, I'm as excited as anyone - I can't help but look down past the justly deserved gains and see a whole load of crap bubbling up to the surface. Folks, there are some bad songs that dropped this week, and believe me, it's not going to be pretty cleaning them out.
Friday, January 9, 2015
video review: 'title' by meghan trainor
Honestly didn't think I would have a chance to get this out, but here we go.
Okay, Billboard BREAKDOWN is coming, so stay tuned!
album review: 'title' by meghan trainor
You know, outside of Billboard BREAKDOWN, I've never really talked at length about Meghan Trainor in any capacity. And considering her very recent pop culture ubiquity - and controversy - that's a little surprising. And part of me wonders why I'm even reviewing this record, mostly because from every single Trainor has released, there's been one message emblazoned across her music: namely, that it's not for me.
And yet, one of my goals this year is to delve more deeply into music outside of my comfort zone, so let's actually talk a bit about the woman behind the music. Believe it or not, even though Title is advertised as Meghan Trainor's debut album, she actually released three acoustic records while she was at Berklee, where she later dropped out to pursue her dreams as a songwriter. She eventually wound up in Nashville where she was writing songs for - and when I discovered this, I wasn't surprised in the slightest - Dan + Shay, Hunter Hayes, and Rascal Flatts. Note that these are all country artists - and more importantly, they're pop country that produce some of the most polished, safe music imaginable. More on this in a bit, but it was in Nashville she met Kevin Kadish, wrote 'All About That Bass', and the rest is history.
And let's make this clear, the success of Meghan Trainor has been meteoric - but again, I'm not surprised. 'All About That Bass' was being pushed to an under-served demographic and sounded like little else on the radio, of course it was going to do well, especially considering how non-threatening it is, but at the same time it wasn't exactly anything that got me interested in hearing more Meghan Trainor. Now that's not saying I don't like retro doo-wop or jazz or even bubblegum pop - you're talking about a guy who owns multiple S Club 7 albums - but for as much as Meghan Trainor's music prompted discussion and controversy for the lyrics, the music itself had never really interested me.
But I figured that I probably wasn't getting the whole picture, so I picked up her major label debut album Title and took a listen - what did we get?
And yet, one of my goals this year is to delve more deeply into music outside of my comfort zone, so let's actually talk a bit about the woman behind the music. Believe it or not, even though Title is advertised as Meghan Trainor's debut album, she actually released three acoustic records while she was at Berklee, where she later dropped out to pursue her dreams as a songwriter. She eventually wound up in Nashville where she was writing songs for - and when I discovered this, I wasn't surprised in the slightest - Dan + Shay, Hunter Hayes, and Rascal Flatts. Note that these are all country artists - and more importantly, they're pop country that produce some of the most polished, safe music imaginable. More on this in a bit, but it was in Nashville she met Kevin Kadish, wrote 'All About That Bass', and the rest is history.
And let's make this clear, the success of Meghan Trainor has been meteoric - but again, I'm not surprised. 'All About That Bass' was being pushed to an under-served demographic and sounded like little else on the radio, of course it was going to do well, especially considering how non-threatening it is, but at the same time it wasn't exactly anything that got me interested in hearing more Meghan Trainor. Now that's not saying I don't like retro doo-wop or jazz or even bubblegum pop - you're talking about a guy who owns multiple S Club 7 albums - but for as much as Meghan Trainor's music prompted discussion and controversy for the lyrics, the music itself had never really interested me.
But I figured that I probably wasn't getting the whole picture, so I picked up her major label debut album Title and took a listen - what did we get?
Wednesday, January 7, 2015
video review: 'ghost culture' by ghost culture
Ah, it's nice to find something off the beaten path that actually turns out to be pretty great. Seriously, give this is a listen, I really dug it.
Next up (either today or tomorrow, depending on RL) will be Billboard BREAKDOWN! Stay tuned!
album review: 'ghost culture' by ghost culture
So one of my goals this year is to be open to trying and embracing new genres of music. As much as I looked back on my year-end lists with some pride, I do feel that there are certain genres I haven't quite delved into as deeply as I'd prefer. And while this does mean there is definitely a requirement to explore more deeply into the rougher subgenres of metal (and really, I'm on the cusp there anyway) or the murkier sides of post-rock, a larger part of this will involve continuing my journey into electronica. Last year was very exploratory for me - be they the evolving mechanical sounds of Objekt, the warped melodies of Arca, the high-concept jazzy feel of Flying Lotus, or the retro charm of Aphex Twin, I found a lot to like last year.
As such, in the doldrums of early January, when I heard about the self-titled debut from Ghost Culture, I was immediately intrigued, especially by the comparisons to Andy Stott - whose album I unfortunately missed last year - and especially Todd Terje, whose record I thought was all sorts of cheesy yet moving fun. And considering we're in early January and I desperately needed to wash the taste of Rae Sremmurd out of my mouth, I figured what the hell and gave his debut a few listens - what did we get here?
As such, in the doldrums of early January, when I heard about the self-titled debut from Ghost Culture, I was immediately intrigued, especially by the comparisons to Andy Stott - whose album I unfortunately missed last year - and especially Todd Terje, whose record I thought was all sorts of cheesy yet moving fun. And considering we're in early January and I desperately needed to wash the taste of Rae Sremmurd out of my mouth, I figured what the hell and gave his debut a few listens - what did we get here?
Tuesday, January 6, 2015
video review: 'sremmlife' by rae sremmurd
Ugh, fuck this album. Completely worthless.
Okay, next up is... honestly, not sure, depends what I feel like. Stay tuned!
album review: 'sremmlife' by rae sremmurd
One of the things I've always tried to do, as a music critic, is ascertain what is the purpose of the albums I review. I look for themes, ideas, or at least artistic intentions, and it's one of the main reasons I tend to be kinder than most to pop records. After all, most shallow pop music only has a limited purpose, and if it accomplishes that purpose, it's hard to argue it doesn't succeed at least partially. You might not get great pop music - I said a while back in my Special Comment defending pop that making a truly great pop song that will stand the test of time is often just as difficult as any other brand of music - but it'll pass the low bar. It's one of the reasons I can enjoy crunk or hair metal - sure, they aren't trying to be anything but dumb party music, but there's a scale of quality even there.
And sure, some of my rationale for this is pure populism - like it or not, as much as I might enjoy two-and-a-half hour experimental rock records with 34 minute songs or half-improvised acid and post-punk performance art pieces, the mainstream public's enjoyment of music is a lot narrower - they'll listen to a pop song for a season and odds are unless it really sticks with them, they'll forget it in a few months. And with attention spans getting shorter and shorter, that window of relevance for pop acts is always getting smaller - forget Andy Warhol saying everybody will be famous for fifteen minutes, try six seconds.
Which takes us to Rae Sremmurd, a Mississippi-based hip-hop duo that made a big smash into 2014 with two hits: 'No Flex Zone' and 'No Type'. And from those singles alone and the fact that Mike Will Made It was supposedly their executive producer, I was dreading this album. Not only was this album being released in the dumping ground of early January, I got the impression any attempts at lyricism were going to be pitched right out the window when paired with one of my least favourite producers in modern hip-hop. But I had to be fair - hell, this could be the record that manages to surprise me and win me over for Mike Will Made It, right?
billboard BREAKDOWN - hot 100 - january 10, 2015 (VIDEO)
Man, that took way too long to release. Glad to finally get it out there.
Okay, next up is... oh god, Rae Sremmurd? Seriously, there's nothing else?
Monday, January 5, 2015
billboard BREAKDOWN - hot 100 - january 10, 2015
So one would think upon my return from vacation to take a look at the Hot 100 that things kind of went a little crazy this week. Not in the new arrivals to the charts - if anything, we have the least number of new entries to date, which hopefully means this episode will be a little shorter this week. No, the change was in what gained steam this week, because there were a ton of gains this week that seemingly came out of nowhere. Not only that, they were for songs that came out in 2014, some that had even fallen off the charts altogether! What gives?
Wednesday, December 31, 2014
the top 25 best albums of 2014 (VIDEO)
And that's it for me for 2014! The last of the lists, probably one of the more controversial ones, but hey, it's what you get.
I want to thank all of you for sticking with me this long - if it wasn't for you crazy cats, I wouldn't have gotten this far or I probably would have spent my time elsewhere long ago. As it is, let's keep up the hustle, and I hope to see you all with more album reviews, Billboard BREAKDOWN, and maybe something new in that new year. Stay tuned!
the top 25 best albums of 2014
And now, the final list, the most important and likely the most hotly debated selection, the top 25 albums of 2014. Some of these entries you will recognize as they've been acclaimed by plenty of publications already, but there are a few surprises here that definitely need their due consideration.
One thing to preface this list: while I have seen many year-end lists, these are all my personal choices based upon what stuck with me the most this year. And to qualify, they have to be one of the 210 albums I reviewed in full this year. And believe me, this list had a few painful cuts, but I'd prefer to keep this list smaller and respect the cream of the crop rather than reward albums that might not deserve the same acclaim.
But enough, wasting time, let's get this started!
Tuesday, December 30, 2014
the top 50 best songs of 2014 (part ii: 25-1) (VIDEO)
And there's part two. One last list to come, stay tuned!
Labels:
2014,
bleachers,
clipping,
eric paslay,
frankmusik,
hozier,
imogen heap,
jason eady,
music,
poets of the fall,
run the jewels,
sage francis,
sturgill simpson,
sundy best,
the war on drugs,
youtube
the top 50 best songs of 2014
And now onto the third list, and by far one of the hardest to make. This year I discussed 210 albums and from there I had just under 700 songs that I considered eligible for this list. From there, the task of narrowing it down and ranking them was excruciatingly difficult, because I want to make sure this list was of the best of the best, and even with that I had to make some painful cuts. And once again, keep in mind these are not the hits. We have singles and deep cuts here, from artists who are defiantly mainstream to those lodged deep in the underground. And one more thing: for a song to land on this list, it has to have been released from an album I reviewed this year. If it was just a single, it doesn't cut it - but on a contrary note, if the single dropped last year or even the year before and the album was only released now... well, it qualifies in my books.
But enough wasting time, let's get this started with...
But enough wasting time, let's get this started with...
Labels:
2014,
bleachers,
clipping,
dierks bentley,
ed sheeran,
eric paslay,
hozier,
imogen heap,
jason eady,
music,
poets of the fall,
run the jewels,
sage francis,
st. vincent,
sundy best,
the war on drugs
Saturday, December 27, 2014
the top ten best hit songs of 2014 (VIDEO)
And here's list #2. Yes, I know it's excruciatingly early, but I'm posting this from the airport, it happens. Enjoy!
Labels:
2014,
avicii,
bastille,
ed sheeran,
ellie goulding,
jake owen,
kongos,
lorde,
mkto,
music,
onerepublic,
rihanna,
shakira,
top ten,
youtube
the top ten best hit songs of 2014
And now onto our second list, and the one that doesn't give me heart palpitations whenever I think about it, the Top Ten Best Hit Songs of 2014.
Once again, let's go over some of the main rules: the songs need to debut on the year-end Billboard Hot 100 list this year - so while there are songs like 'Counting Stars' and 'Wake Me Up!' that came out last year and still made this year's Billboard 100, they already had their shot to make the list.
What gets a little frustrating because while the year-end Billboard Hot 100 didn't have as many outright terrible songs as last year, I'd also make the argument it didn't have as many genuinely awesome smash songs either. 2014 tended towards average all around, with only a few genuinely great songs and a whole sea of songs that were pretty solid but didn't evoke a huge amount of reaction from me, one way or the other. And once again, this is my list of my favourite hits - the list of the songs from across the entire year that never touched the charts is on its way - but that's not ripping into these songs, most of which had real genuine quality behind them.
But let's not waste time, let's get to the Honourable Mentions!
Once again, let's go over some of the main rules: the songs need to debut on the year-end Billboard Hot 100 list this year - so while there are songs like 'Counting Stars' and 'Wake Me Up!' that came out last year and still made this year's Billboard 100, they already had their shot to make the list.
What gets a little frustrating because while the year-end Billboard Hot 100 didn't have as many outright terrible songs as last year, I'd also make the argument it didn't have as many genuinely awesome smash songs either. 2014 tended towards average all around, with only a few genuinely great songs and a whole sea of songs that were pretty solid but didn't evoke a huge amount of reaction from me, one way or the other. And once again, this is my list of my favourite hits - the list of the songs from across the entire year that never touched the charts is on its way - but that's not ripping into these songs, most of which had real genuine quality behind them.
But let's not waste time, let's get to the Honourable Mentions!
Labels:
2014,
avicii,
bastille,
ed sheeran,
ellie goulding,
jake owen,
kongos,
lorde,
mkto,
music,
onerepublic,
rihanna,
shakira,
top ten
Friday, December 26, 2014
billboard BREAKDOWN - hot 100 - january 3, 2015 (VIDEO)
Yep, I'm aware of the glitch in the top ten. Damn fader settings get me every time.
So in case you all know, I'm going to be going on vacation - but never fear, I'll still be posting as soon as I get a stable internet connection, so stay tuned!
Labels:
2015,
adam levine,
ariana grande,
beyonce,
billboard breakdown,
chris jamison,
chris young,
craig wayne boyd,
damien,
j.cole,
jessie j,
matt mcandrew,
music,
nicki minaj,
youtube
billboard BREAKDOWN - hot 100 - january 3, 2015
Today is the first official week of 2015 for Billboard - which is a little odd, considering they start their year and it still is December, but this was the year where we both got the long-awaited finale of The Voice that notched six new hits. And while J. Cole managed to hold a little more momentum, unsurprisingly, most of this week belonged to Nicki Minaj, for better or for worse.
Wednesday, December 24, 2014
the top ten worst hit songs of 2014 (VIDEO)
First of our year-end lists, and sadly the one that will probably get the most traffic. Go figure.
Next up is the list of the best hit songs - stay tuned!
Labels:
2014,
beyonce,
brantley gilbert,
chris brown,
jason derulo,
jay-z,
jeremih,
juicy j,
katy perry,
lil wayne,
magic!,
miley cyrus,
music,
nicki minaj,
rich homie quan,
snoop dogg,
top ten,
yg,
young thug,
youtube
the top ten worst hit songs of 2014
So, another year, another Billboard Year-End list, another assorted collection of hits and misses, and another year end list from me where I take a long hard look at the biggest charting songs of the year and pick out the best and worst.
Now for those of you who aren't familiar, let's go over the rules. A song can only make this list if it first landed on the Billboard Hot 100 Year-End chart for 2014. There may be songs from last year that qualify - I can think of a few - but it needs to hit the list this year. And of course there were worse songs that I heard this year on albums that could easily outstrip huge chunks of this list - I'm not going to mention them, they don't deserve more attention - but I want to make the point that we're looking at the hits that got under my skin and annoyed or angered me. Songs that are just excruciatingly boring don't really make the cut here - 'boring' can be a factor, but there needs to be something aggressively wrong with the song to join this august company.
The other important thing to mention is that 2014 has, on average, been a stronger year than 2013, or at least more consistent. Up until the frantic reshuffling at the end of the year, this has been a pretty stodgy year with a few absolutely massive hits that wouldn't go away and prevented a lot of turnover. What this has meant is that many of the songs that have landed on this list don't inspire the same amount of real anger from me - of the majority I wouldn't say they are as deserving of vitriol as some of the really terrible tracks from last year.
That said, I think it's time for our dishonourable mentions!
Now for those of you who aren't familiar, let's go over the rules. A song can only make this list if it first landed on the Billboard Hot 100 Year-End chart for 2014. There may be songs from last year that qualify - I can think of a few - but it needs to hit the list this year. And of course there were worse songs that I heard this year on albums that could easily outstrip huge chunks of this list - I'm not going to mention them, they don't deserve more attention - but I want to make the point that we're looking at the hits that got under my skin and annoyed or angered me. Songs that are just excruciatingly boring don't really make the cut here - 'boring' can be a factor, but there needs to be something aggressively wrong with the song to join this august company.
The other important thing to mention is that 2014 has, on average, been a stronger year than 2013, or at least more consistent. Up until the frantic reshuffling at the end of the year, this has been a pretty stodgy year with a few absolutely massive hits that wouldn't go away and prevented a lot of turnover. What this has meant is that many of the songs that have landed on this list don't inspire the same amount of real anger from me - of the majority I wouldn't say they are as deserving of vitriol as some of the really terrible tracks from last year.
That said, I think it's time for our dishonourable mentions!
Labels:
2014,
beyonce,
brantley gilbert,
chris brown,
jason derulo,
jay-z,
jeremih,
juicy j,
katy perry,
lil wayne,
magic!,
miley cyrus,
music,
nicki minaj,
rich homie quan,
snoop dogg,
top ten,
wiz khalifa,
yg,
young thug
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