billboard BREAKDOWN - hot 100 - october 7, 2017

So we're now in our last two months of the Billboard year - it ends in November, and yes, that makes both more and less sense than you think it does - and yet I'm a little surprised how uncertain the Hot 100 feels right now. Granted, this is one of those weeks that feels deceptively quiet in that we only had a few new arrivals, but again, major turbulence is coming considering the albums on the horizon, and it'll be fascinating to see what cracks first.

billboard BREAKDOWN - hot 100 - september 16, 2017 (VIDEO)

This week took entirely too long to edit... and it sucked. Go figure.

Next up, LCD Soundsystem momentarily, so stay tuned...

billboard BREAKDOWN - hot 100 - september 16, 2017

Because this is what I want to deal with on my first few days back from vacation, a double album bomb from records that I had no reason to expect were anything close to good or interesting, just goddamn perfect. And of course there is more news than that, but at this point, if I want to keep this episode at a sane length for the twenty new arrivals we have, we're going to have to keep this moving...

billboard BREAKDOWN - hot 100 - august 5, 2017 (VIDEO)

Bit shorter this week, but I think the thumbnail looks awesome and I get to rain all hell on Jake Paul again, and who doesn't want that?

Okay, you all know who's coming, so stay tuned!

billboard BREAKDOWN - hot 100 - august 5, 2017

Well, if you're all looking for more evidence that I'm just crap at predicting what's going to happen on the Hot 100 these days... well, okay, maybe it's specifically Jay-Z related, because just as I underestimated how much 4:44 would have an impact, I also overestimated how long people would want to hear it, as the majority of that record left the charts and a weird cluster of songs rushed in to fill the void, leading to a week that in some ways feels oddly leaden but in others feels way more busy than I expected - more returning entries than new arrivals, a lot of gains, and a top ten that stubbornly refuses to move all that much.

billboard BREAKDOWN - hot 100 - may 13, 2017 (VIDEO)

I think people who were a lot higher on the Paramore song probably enjoyed this week a lot more than I did... meh, it happens.

But next up, we've got something that's waited FAR too long... stay tuned!

billboard BREAKDOWN - hot 100 - may 13, 2017

So I was expecting this week to feel dispiriting. Kendrick falls off the top spot, the aftermath of DAMN. as the chart naturally corrects to a less promising state... but here's the honest truth: despite some absolute trash on the Hot 100 right now, I'm generally pretty pleased with the current state of affairs. Good songs have held enough traction to make a serious shot at the year-end list, I'm seeing promising continuity into the summer, and while there are problems, they feel isolated in comparison with the larger trends. 

billboard BREAKDOWN - hot 100 - march 18, 2017 (VIDEO)

Weird week. Busy as hell, but weird all the same, I have to say.

Next up, though, is finally Sun Kil Moon - enjoy!

billboard BREAKDOWN - hot 100 - march 18, 2017

So this was a weird week. I wouldn't call it a bad week - any chart where we get less Future than expected is a net positive - but the new arrivals and shifts reflect not quite a lull but a Hot 100 where nothing is quite as stable as it seems. There have been a lot of fluctuations here - and with a big debut from Ed Sheeran coming next week I can definitely see that continuing - which I tend to see as a net positive overall, it keeps things kinetic to avoid the massive stalls that did considerable damage in 2014 and 2016.

the top ten best hit songs of 2016 (VIDEO)

Well, this was certainly fun to make - genuinely curious if it ends up blowing up as much as it did last year, given how wonky this year was, so we'll see!

Next up, working on that big top 50 list, so stay tuned!

the top ten best hit songs of 2016

So for those of you who saw my last list, you might have caught my general assertion that 2016 was not good for the Hot 100. And here's the deeper truth: the bad songs, while there were more of them, they weren't the sort of atrocious that keeps you up at night, at least not as a whole. Despite how angry I got, I can think back to a few other years that had far more contemptible songs that would inspire a lot more rage - I think society as a whole has pretty much forgotten that in 2013 Rick Ross teamed up with Rocko and Future to release a song with a verse endorsing date rape - yeah, that was a thing.

No, the bigger problem with the year-end Hot 100 in 2016 is that there was a lot less good songs - we always get a lot of mediocrity but this was a year where the pickings were very slim. On the one hand, it makes this list pretty easy - very little to cut - but at the same time in stronger years, like 2012 or even 2015, I'm not sure how much of this list would have measured up. Many people made that same observation back in 2014 - I didn't, mostly because I genuinely found a lot to like about my list that year - but I'm not denying it for 2016, especially because the majority of songs that will make this list were originally released in 2015 and only became hits this year. If that's not the most glaring indictment on pop in 2016, I don't know what is, and what gets all the more infuriating is that the mediocrity clogging the arteries of this year kept otherwise great songs from catching on, especially in country music which despite big improvements even on the Hot 100 practically disappeared for the year end. 

But again, it had to land on that list, and it's a thin list indeed... but still, it wouldn't have made this list if I couldn't defend it being here, so let's start with our Honourable Mentions!

billboard BREAKDOWN - hot 100 - december 17, 2016 (VIDEO)

Well, this took entirely too long to finish editing... go figure, but man, so many songs that'll be gone in a day or two...

But anyway, next up is, well, it surprised me. Stay tuned!

billboard BREAKDOWN - hot 100 - december 17, 2016

I called it last week, and now here it is. Folks, this is the week of The Weeknd, because of at this moment, every single song from his album Starboy either entered, re-entered, or rose up the Hot 100 this week. That's a total of eighteen songs - and what's all the more crazy is that he didn't encompass every debut this week, thank you so very much Disney. And what concerns me more than anything is overexposure - that's one of the biggest factors that lies at the roots of how much I turned on Drake throughout this last year... so let's hope this doesn't hit The Weeknd as badly as I might expect.

billboard BREAKDOWN - hot 100 - december 10, 2016 (VIDEO)

So this video was longer than usual... and actually really great, I dug the hell out of this! Two good weeks in a row... man, if only I had any hope we could keep this up, 2017 has some real potential to be a damn good year.

In the mean time, let's take care of old business next, shall we? Stay tuned!

billboard BREAKDOWN - hot 100 - december 10, 2016

So this week was a little weird. Not just because we started getting tracks from The Weeknd earlier than expected - I'm imagining next week to be just overloaded - but we got some big surprises all over the place, including a few artists I have not thought about or talked about in years. That, at the very least promised to make things interesting - note that I didn't precisely say good, although there really was some promise here.

video review: 'starboy' by the weeknd

...so yeah, I definitely wish this was a lot better. It's not bad - 'False Alarm' pretty much redeems this record on its merit alone - but I was hoping for more in that vein or at least some sharper, more interesting writing and we didn't get that.

And on a similar topic... well, stay tuned!

album review: 'starboy' by the weeknd

I get the strong impression The Weeknd never thought he'd become famous.

Admittedly, all of this is guesswork, but if you go back through his early records, it became clear that despite how influential his sound was becoming and the cosigns behind him, he had his own sound, style, and distinctive lane, and considering how bleak and graphic that lane was, he probably never expected to crossover. Sure, you could make arguments that he was trending towards more of a pop sound on Beauty Behind The Madness, but also keep in mind that despite having two songs go to #1, the biggest hit of that record wasn't 'Can't Feel My Face' but 'The Hills'. Not the song where he embraced his inner Michael Jackson, but the track where he ripped away the veneer to reveal the toxic, self-destructive self-loathing that lurked at the base of it. In comparison to obvious singles like 'Can't Feel My Face' or even the stronger 'In The Night', it was a hard left turn... and as of now, it's his biggest hit.

And I get the feeling this wasn't lost on The Weeknd, and if we were going to reward his dark impulses, that seemed to be enough of an endorsement for him to plow into even weirder and more experimental territory - hell, everyone who has watched Billboard BREAKDOWN has seen how much praise I gave 'False Alarm' for its manic, darkwave-inspired sound and style. And when The Weeknd cited his inspirations were The Smiths, Bad Brains, Talking Heads, and Prince... well, my only surprise is that he didn't cite more gothic acts, given how obvious the influence has been for years. But at the same time, I didn't expect the album to completely fly into left field - credits from Kendrick Lamar, Future, Daft Punk, and Lana Del Rey proved he was keeping his feet pretty close to the mainstream, and that's before you dig into the production credits. In short, The Weeknd has an institution of modern pop songwriters and producers behind him, this was not going to be allowed to get that weird. Still, I had liked 'Starboy' and I had loved 'False Alarm', this record was easily one of my most anticipated in 2016 - so did it deliver?

billboard BREAKDOWN - hot 100 - october 22, 2016 (VIDEO)

Look, I don't need to say anything with this one beyond HOLY SHIT FALSE ALARM IS AWESOME and you all need to be listening it - okay, I'll stop.

On a different note, we've got Epica, Opeth, OneRepublic, and Daya on the way, so stay tuned!

billboard BREAKDOWN - hot 100 - october 22, 2016

So here's the other thing about the last weeks of a Billboard year - more than ever, it becomes a game of timing if you're looking to land a song on the year end list. Release the song early enough and it's no issue, but unless you've got a guaranteed smash hit heading for an inevitable #1, it might actually serve you better to release your songs a little later - keep in mind that most tracks will only ever stick around for twenty weeks on the charts, and the last thing you want is to release a track where midway through its lifespan the year shifts and you're only left with a portion of that time to rack up the accumulated sales, streaming, and airplay to get on the next year's list.

billboard BREAKDOWN - hot 100 - october 8, 2016 (VIDEO)

Well I can't imagine that this'll be contentious at all... eh, whatever, I still hold it was a good week.

And on that note - Mick Jenkins, so stay tuned!