So I think it's fairly obvious that we live in uncertain times, and while music critics and cultural anthropologists will debate how much the music that charts will reflect the world around us, I think you could make a case for the Hot 100 being the most unsettled it's been in some time. Because while you could make a story about Katy Perry collaborating with Migos, or the fight for dominance between One Direction members, or that Gorillaz for no discernable reason failed to sell enough to chart this week, the big story is for the third time in three weeks, we have a new #1... and like with the others, there's no clear indication of how long it'll last.
So this was torturous to film. And edit. My god, being sick doing it too was horrible. Not sure I'm proud of this one, but I'm just happy I won't have to worry about Drake for a few months more at least... or at least I hope so. Next up, though... okay, nothing tonight, but I'm working on the AllttA and Creeper episodes, so stay tuned!
You know, it didn't use to be like this. Oh sure, make no mistake, there were times where artists could have multiple singles on the Hot 100 at once, and I remember distinctly how much some chart watchers hated how Glee would get a few charting entries every single week to eventually accrue the most Hot 100 entries of all time. But do you want to know the big distinction between Glee and Drake, who thanks to streaming got all twenty-four of his album/playlist/background noise to debut on the Hot 100 this week? Glee may have had cheap, watered down production and attempted to appropriate styles they didn't understand, but there was at least color and passion and diversity in the sounds and styles they were trying to cover! Whereas with Drake it seems like we get all of that, plus refocused into a hazy hall of mirrors that all circle back on this Canadian, minus the existential horror that could potentially make any of this interesting!
Well, this happened - I'm actually pretty happy they changed the formula, but still, it's disappointing the load of crap we got. Anyway, next up is Lauren Alaina and Japandroids, so stay tuned!
So this was an important week on the Billboard Hot 100 - which on the surface might be a surprising statement, given that it didn't seem that out of the ordinary, at least on the surface. But for those who pay attention, something big happened this chart cycle: Billboard changed their formula. And despite what I might have said earlier on Twitter, upon giving it more thought, I'm actually entirely behind this change - looks like Billboard got it right for once!
So this was torture, to both write and edit. My god, the more I went through this J. Cole album the more I dislike it, fucking CHRIST. Anyway, now onto something a little weirder, stay tuned!
So do you want to know what can lead to real weirdness on the Hot 100? Not just one big debut - it'll have a ripple effect, but if you want to cause absolute havoc, drop two, and keep them within a few weeks of each other. And you might call me crazy for saying 'well, that rarely ever happens'... and this is the week where J. Cole followed in The Weeknd's wake with every single songs from 4 Your Eyez Only hitting the Hot 100 - I swear, why do I even bother to review the albums when this nonsense happens? This was the equivalent of a knockout punch for a lot of music, leading to what I think might be the most number of losses I've ever seen on the Hot 100 and sixteen new songs - because no, the stream of new arrivals wasn't really stopping either. And note that when I say impact, I'm not saying any of this was good - folks who saw that J. Cole review remember I wasn't fond of it... but then again, it's also featuring songs from The Voice and Post Malone, so we'll see what we get in contrast?
Well, this was precisely what I needed on an awful political day, a whole lot of shallow shouting in my ears. Just fucking perfect. On that note, there might be a political tinge that'll creep into upcoming reviews where appropriate. Just felt that it's important to warn you if you get turned off by that sort of thing, but culture matters, and even if I'm insulated by a border from the president-elect's new administration, he still has the capacity to do damage, and I'm not taking this laying down. Stay tuned!
First, a bit of housekeeping. As some fans are probably very much aware, the episode of Billboard BREAKDOWN from last week is blocked in all countries because Sony decided they didn't like my usage of Little Mix, even though I gave it Best of the Week. I was tempted to drop and reupload it, but at the moment I also have the entire script and attached videos on my blog for that episode, so you can head over to spectrum-pulse.ca, check it out there, and just imagine my dulcet tones saying all of it.
Whew, this was an interesting little thing to film/edit on vacation. Overall, pretty damn pleased how it turned out, especially with how many takes we got to put it all together. Next up, let's knock off that Cody Johnson review before we get into the rest of the week, shall we...
So this week sucked on the Hot 100... thank god the album release schedule has improved and I've got YG and Swans next, or I'd just be flat-out miserable.
So a week or so back I might have said that I was gearing up for one of the worst upcoming album release dates in recent memory... and yet just days after I said that, all of my concerns seemed to drop away. Both Iggy Azalea and Rae Sremmurd pushed back their albums and that just leaves me with Riff Raff, and I can handle him. But apparently the universe was unwilling to let me get off that easy, because from a quick look through the charts, we've got a really bad week ahead of us, folks.
